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Time Clipping the Wings of Love, c. 1765. Creator: James McArdell

Time Clipping the Wings of Love, c. 1765. Creator: James McArdell


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Time Clipping the Wings of Love, c. 1765. Creator: James McArdell

Time Clipping the Wings of Love, c. 1765

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Media ID 36192927

© Heritage Art/Heritage Images

Allegorical Anthony Van Dyck Anthony Van Dyke Anthony Van Dyke Sir Anthony Vandyke Clipping Cupid Cutting Dyck Anthony Van Dyke Sir Anthony Van Elderly Man Ireland Irish James Mcardell Mcardell James Mezzotint Mezzotint On Ivory Laid Paper Old Man Old Men Personification Personifying Sir Anthonis Van Dyck Sir Anthony Van Dyck Sir Anthony Van Dyke Time Van Dyck Van Dyke Sir Anthony Vandyke Anthony Wing Winged Allegorical Figure


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> Arts > Art Movements > Baroque

> Arts > Artists > D > Anthony Van Dyck

> Arts > Artists > I > Irish School Irish School

> Arts > Artists > M > James McArdell

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Arts > Realistic drawings > Figure drawing > Portrait art

> Arts > Realistic drawings > Portrait drawings > Fine art


Time Clipping the Wings of Love,

EDITORS COMMENTS
a captivating mezzotint on ivory laid paper created by James McArdell around 1765, presents a poignant allegory of the fleeting nature of love. The image, reminiscent of the Baroque era and harkening back to the artistic school of Sir Anthony Van Dyck, depicts an elderly man, personifying the passage of time, clipping the wings of two young boys, symbolizing the loss of youth and the inevitable passing of love. The print, with its intricate details and nuanced shading, transports us to the 18th century, where the concept of personification was a popular artistic device. The image is a stark reminder of the relentless march of time and the transient nature of human emotions. The setting of the print is idyllic, with the two boys, perhaps representing Cupid and his companion, frolicking in a pastoral scene. Their innocent joy is palpable, making the momentary intrusion of Time all the more poignant. The elderly man, with a stern expression and a scythe in hand, represents the inexorable passage of time, clipping the wings of the boys, symbolizing the end of their youth and the fading of their love. The print, a testament to the artistic prowess of James McArdell, is a must-see for anyone interested in the history of art, particularly those with a penchant for allegorical works and the Baroque era. It can be found in the prestigious collections of various art galleries and institutions, including the Art Institute of Chicago, where it continues to inspire and captivate audiences.

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