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Time orders Old Age to destroy Beauty, 1746. Artist: Batoni, Pompeo Girolamo (1708-1787)

Time orders Old Age to destroy Beauty, 1746. Artist: Batoni, Pompeo Girolamo (1708-1787)


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Time orders Old Age to destroy Beauty, 1746. Artist: Batoni, Pompeo Girolamo (1708-1787)

Time orders Old Age to destroy Beauty, 1746. Found in the collection of the National Gallery, London

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Media ID 14899916

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Batoni Beauty Death Symbols Depts Eternity Futility Life And Death Memento Mori Old Age Pompeo Girolamo 1708 1787 Roman School Sinful Time Transience Vain Vanitas Vanity Allegory And Literature Rococo


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> Arts > Art Movements > Rococo

> Arts > Artists > B > Pompeo Batoni

> Arts > Artists > B > Pompeo Girolamo Batoni

> Arts > Artists > I > Italian School Italian School

> Arts > Artists > R > Roman Roman

> Arts > Artists > Related Images

> Arts > Fine Art

> Arts > Still life artwork > Oil paintings

> Arts > Literature

> Arts > Realistic drawings > Still life artwork > Fine art


EDITORS COMMENTS
In this print titled "Time orders Old Age to destroy Beauty" painted by Pompeo Girolamo Batoni in 1746, we are transported into a world of allegory and symbolism. The artwork, now housed in the esteemed National Gallery in London, invites us to contemplate the fleeting nature of beauty and the inevitable passage of time. Batoni's masterful brushstrokes depict an ethereal figure representing Time, standing tall and authoritative. With a commanding gesture, he directs Old Age towards a young woman who personifies Beauty. This poignant scene serves as a memento mori, reminding us that even the most alluring aspects of life are subject to decay and transience. The artist skillfully incorporates elements from mythology and literature into his composition. Through this fusion, Batoni emphasizes not only the universal theme of mortality but also explores concepts such as vanity, futility, sinfulness, and eternity. The use of vibrant oil on canvas brings depth and richness to every detail captured within this Rococo masterpiece. Death symbols subtly woven throughout serve as reminders that life is intertwined with its ultimate counterpart - death. As we gaze upon this thought-provoking image from Italy's Roman School tradition, we find ourselves contemplating our own mortality while marveling at Batoni's ability to capture both physical beauty and profound philosophical themes within one frame.

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