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The Unexpected Visit or more free than welcome, 1820
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The Unexpected Visit or more free than welcome, 1820
The Unexpected Visit or more free than welcome, 1820. George IV, seated on a cushion in the Brighton Royal Pavilion, throwing up his arms in horror at the entry of the Queen closely followed by Alderman Wood
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Media ID 15169372
© London Metropolitan Archives (City of London) / Heritage-Images
Alderman Alderman Of London Brighton Caroline Caroline Amelia Elizabeth Of Brunswick Caroline Of Brunswick Caroline Of Brunswick Wolfenbuttel Cushion Disturbed East Sussex George Iv George Iv Of The United Kingdom Georgian Heath Horrified Horror King George Iv King Of Great Britain Matthew Matthew W Matthew Wood Mistress Paul Pry Prince Of Wales Prince Regent Princess Of Wales Prinnie Prinny Queen Caroline Queen Consort Queen Consort Of George Iv Royal Pavilion Shock Shocked Sir Matthew Sir Matthew Wood Speech Bubble Startled Surprise Surprised The Royal Pavilion Unexpected Visit Visiting Visitor William Heath
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EDITORS COMMENTS
The Unexpected Visit or more free than welcome, 1820" is a captivating print that captures a significant moment in British history. The image portrays George IV, the King of Great Britain, seated on a cushion within the opulent Brighton Royal Pavilion. His expression reveals sheer horror as he throws up his arms in response to an unexpected entry by Queen Caroline, closely followed by Alderman Wood. This 19th-century caricature employs vibrant colors and intricate detailing to convey the tumultuous relationship between George IV and his estranged wife, Queen Caroline. The cartoonist skillfully depicts the king's disturbed state of mind upon encountering his queen's presence. Meanwhile, Alderman Wood adds an element of surprise and tension to the scene. The composition serves as a commentary on marriage and monarchy during this era. It highlights the strained relationship between George IV and Queen Caroline while shedding light on their public personas. This satirical portrayal offers insight into societal perceptions surrounding power dynamics within royal marriages. Preserved at Guildhall Library and Art Gallery, this anonymous artwork showcases both artistic prowess and historical significance. Its depiction of key figures such as Prince Regent George IV adds depth to our understanding of British monarchy in the early 19th century. This print invites viewers to delve into a fascinating chapter of British history through its vivid imagery and thought-provoking symbolism.
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