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At Vauxhall, 1925. Artist: Sir Leslie Matthew Ward

At Vauxhall, 1925. Artist: Sir Leslie Matthew Ward


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At Vauxhall, 1925. Artist: Sir Leslie Matthew Ward

At Vauxhall. After an engraving by Sir Leslie Matthew Ward (1851-1922). From The Studio Volume 89 [London Offices of the Studio, London, 1925]

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Media ID 14960492

© The Print Collector

Barge Lambeth Leslie Leslie Matthew Ward Leslie Ward Moored Pollution Sir Leslie Sir Leslie Matthew Sir Leslie Matthew Ward Sir Leslie Ward Studio Volume 89 Vauxhall Vauxhall Bridge Ward


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > Matthew Black

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Boroughs > Lambeth

> Europe > United Kingdom > England > London > Bridges > Lambeth Bridge

> Europe > United Kingdom > England > London > Bridges > London Bridge

> Europe > United Kingdom > England > London > Bridges > Related Images

> Europe > United Kingdom > England > London > Bridges > Vauxhall Bridge

> Europe > United Kingdom > England > London > River Thames

> Europe > United Kingdom > England > London > Towns > Lambeth


At Vauxhall, 1925

EDITORS COMMENTS
captures a moment in time along the bustling River Thames in London. The photo print, created by renowned artist Sir Leslie Matthew Ward, showcases the transportation hub of Vauxhall Bridge during the early twentieth century. In this monochrome scene, boats of various sizes and shapes dot the river, their presence reflecting the importance of water transport during that era. The bridge stands tall and proud, connecting Lambeth to Vauxhall with its architectural grandeur. People can be seen going about their day on both sides of the riverbank, adding a sense of liveliness to the image. However, amidst this vibrant atmosphere lies a subtle reminder of environmental concerns - pollution. As smoke billows from chimneys and hovers above some vessels, it serves as a poignant symbol of industrialization's impact on nature. The print itself is an engraving based on Sir Leslie Matthew Ward's original artwork. Published in The Studio Volume 89 in 1925 by The Print Collector company (not mentioned for commercial use), it exemplifies Ward's talent for capturing historical scenes with meticulous detail. This snapshot transports viewers back to a specific moment in history - London during the roaring twenties. It encapsulates not only an important geographical feature but also offers insight into society's reliance on waterways for trade and transportation at that time.

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