Water-carriers at Nutha, 1905. Artist: Mortimer Luddington Menpes

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Water-carriers at Nutha, 1905. Artist: Mortimer Luddington Menpes

Water-carriers at Nutha, 1905. From India, by Mortimer Menpes. Text by Flora A. Steel. [Adam & Charles Black, London, 1905]

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Media ID 14994150

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Adam And Charles Adam And Charles Black Bhisti British India Carrying On Head Chore Chores Daily Life Flora Annie Flora Annie Steel Imperialism Local People Menpes Mortimer Luddington Mortimer Luddington Menpes Sari Shutters Steel Sunlight Sunlit Water Carrier Barefoot Hindoostan

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EDITORS COMMENTS
This print titled "Water-carriers at Nutha, 1905" transports us back to the vibrant streets of India in the early 20th century. The artist behind this masterpiece is Mortimer Luddington Menpes, who beautifully captures a slice of daily life in this mesmerizing scene. Under the warm glow of sunlight, three local women can be seen gracefully carrying water on their heads. Their colorful saris and traditional attire add a touch of elegance to their humble occupation. With bare feet firmly planted on the ground, these hardworking ladies navigate through bustling streets with remarkable poise. The image showcases not only the physical labor involved but also highlights the ingenuity of Indian culture. As shutters cast intricate shadows upon them, we are reminded of how science and nature intertwine seamlessly in our world - just like these water-carriers harmonize with their surroundings. This photograph serves as a powerful reminder of British imperialism during that era when India was under British rule. It offers a glimpse into the lives and struggles faced by ordinary people trying to make ends meet amidst an oppressive regime. Through Menpes' lens, we are transported to a different time and place where chores become artistry and everyday moments transform into historical treasures. This print is more than just an image; it encapsulates an entire narrative within its frame – one that speaks volumes about resilience, tradition, and cultural identity.

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