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Jigsaw Puzzle : Ruins in the East, Prosper Marilhat (1811-1847)
Jigsaw Puzzles from Royal Cornwall Museum
Ruins in the East, Prosper Marilhat (1811-1847)
Oil on canvas, French School, 19th century. Oil on canvas, French School, 19th century. Born in Auvergne, central France in 1811, Prosper Marilhat was encouraged to paint from an early age, joining the studio of the French Romantic painter, Camille Roqueplan, in 1829. When he was twenty, after one of his paintings was shown at the Paris Salon of 1831, Marilhat was invited by the diplomat and botanist, Charles von Hugel, to join one of his expedition to the Middle East. As a result, Marilhat spent two years in Egypt, where he took numerous notes and sketches, building his reputation as an orientalist painter. Orientalism, is a term used to describe the 19th century romanticism of the East through painting, poetry and literature. The subject of this painting, Ruins in the East, is typical of the orientalist fantasy and nostalgia that often take the form of ruins. Marilhats short career focussed on painting Islamic architecture, landscapes and portraits. In modern times, orientalism is seen more critically. In his book, Orientalism, published in 1978, the writer and critic Edward Said denounced orientalist expressions in Western art as demeaning and colonialist
Royal Cornwall Museum is the UK's Greatest Museum For Cornish Life & Culture
TRURI : 1923.117
Media ID 19649902
© RIC
Artist Artwork Blue Brown Building Buildings Cornwall English France Green Painting Ruin Tree White Atelier
Jigsaw Puzzle (1000 Pieces)
Discover the enchanting world of Ruins in the East, a captivating oil on canvas painting by Prosper Marilhat (1811-1847) from the Royal Cornwall Museum. This exquisite jigsaw puzzle, part of our Media Storehouse collection, invites you to explore the intricate details of this 19th-century French masterpiece. Immerse yourself in the rich history and artistic beauty of this masterpiece, brought to life in puzzle form for your enjoyment. Experience the joy of piecing together the ruins, the lush greenery, and the atmospheric Eastern landscape, all under the skillful brushstrokes of Prosper Marilhat. A perfect activity for art lovers and puzzle enthusiasts alike, this challenging yet rewarding jigsaw puzzle is sure to provide hours of entertainment and satisfaction.
1000 piece puzzles are custom made in Australia and hand-finished on 100% recycled 1.6mm thick laminated puzzle boards. There is a level of repetition in jigsaw shapes with each matching piece away from its pair. The completed puzzle measures 76x50cm and is delivered packaged in an attractive presentation box specially designed to fit most mail slots with a unique magnetic lid
Jigsaw Puzzles are an ideal gift for any occasion
Estimated Product Size is 76cm x 50.2cm (29.9" x 19.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases "Ruins in the East" by Prosper Marilhat, an influential French painter of the 19th century. Born in Auvergne, France in 1811, Marilhat displayed a passion for art from a young age and honed his skills under the guidance of renowned Romantic painter Camille Roqueplan. At just twenty years old, Marilhat's talent was recognized when one of his paintings was exhibited at the prestigious Paris Salon in 1831. This achievement led to an incredible opportunity as he was invited by diplomat and botanist Charles von Hugel to join an expedition to the Middle East. Spending two years immersed in Egypt, Marilhat meticulously documented his experiences through sketches and notes which greatly contributed to his reputation as an orientalist painter. "Ruins in the East" exemplifies orientalism - a movement that romanticized Eastern culture through various artistic forms such as painting, poetry, and literature during the 19th century. The painting portrays typical orientalist fantasy and nostalgia often depicted through ruins. Throughout his short but impactful career, Marilhat focused on Islamic architecture, landscapes, and portraits. It is important to note that modern interpretations of orientalism have become more critical over time. In Edward Said's influential book "Orientalism" published in 1978, he denounced Western art expressions rooted in orientalism as demeaning and colonialist. This remarkable print serves not only as a visual delight but also prompts reflection on how historical artistic movements can be reevaluated with changing perspectives.
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