Two compositional studies of a lion hunt

Wall Art and Photo Gifts from Liszt Collection

Two compositional studies of a lion hunt

Two compositional studies of a lion hunt; Theodore Gericault, French, 1791 - 1824; 1812 - 1814; Graphite; 15.2 x 10.6 cm (6 x 4 3/16 in.)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12650465

© Quint Lox Limited

1791 1812 1814 1824 Compositional Ge Ricault Gericault Hunt Lion Studies The Odore The Odore Ge Ricault Theodore Théodore Gericault

FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Cats (Wild) > Lion

> Arts > Artists > G > Theodore Gericault

EDITORS COMMENTS
This print showcases two compositional studies of a lion hunt, created by the talented French artist Theodore Gericault between 1812 and 1814. The intricate details and skillful use of graphite bring these scenes to life on a small scale of 15.2 x 10.6 cm (6 x 4 3/16 in. ). Gericault's passion for capturing the raw power and intensity of nature is evident in these studies. In the first composition, we witness a fierce lion charging towards its prey with unmatched ferocity, while skilled hunters strategize their attack with precision and determination. The tension in the air is palpable as man confronts beast in this primal battle. The second study offers an alternative perspective, showcasing a different arrangement of figures engaged in the hunt. Gericault explores various compositions to convey movement, drama, and emotion within each scene. His masterful strokes create depth and texture that draw viewers into these heart-pounding moments. These studies exemplify Gericault's exceptional ability to capture both anatomical accuracy and emotional intensity through his artistry. With every stroke of graphite, he brings forth the spirit of adventure and danger that permeates such encounters with wild animals. As part of Liszt Collection's dedication to preserving artistic heritage, this print allows us to appreciate Gericault's genius up close while honoring his contribution to French art history. It serves as a reminder that even centuries later, his work continues to inspire awe and admiration

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