Portrait Samuel Cornelisz van Esch Samuel son
Wall Art and Photo Gifts from Liszt Collection
Portrait Samuel Cornelisz van Esch Samuel son
Portrait of Samuel Cornelisz van Esch, Portrait of Samuel, son of Cornelis Samuelsz. van Esch and Josina Jansdr. the Carpentier. Half-length, slightly to the left, an apple in the left hand, a flute or a stick in the right hand. Part of a series of seven oval portraits of Cornelis Samuelsz van Esch, his wife Josina Jansdr de Carpentier, their three daughters and two sons, anonymous (possibly), Dordrecht, 1632, copper (metal), oil paint (paint), support: h 15.9 cm × w 12.8 cm h 27.3 cm × w 24.1 cm × d 4 cm
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19553080
© Artokoloro
1632 Apple Carpentier Copper Cornelis Samuelsz Van Esch Dordrecht Flute Half Length Left Hand Metal Right Hand Samuel Slightly Stick Support Three Daughters Two Sons Anonymous Oil Paint
EDITORS COMMENTS
This print showcases the exquisite "Portrait of Samuel Cornelisz van Esch, son of Cornelis Samuelsz. van Esch and Josina Jansdr. de Carpentier". The half-length portrait depicts Samuel slightly turned to the left, holding an apple in his left hand while grasping either a flute or a stick in his right hand. Part of a remarkable series of seven oval portraits, this anonymous masterpiece was possibly created in Dordrecht during 1632. Crafted on copper with meticulous oil paint application, the artwork measures approximately 15.9 cm in height and 12.8 cm in width. The delicate details and skillful execution capture the essence of Samuel's character and charm. His expressive gaze invites viewers into his world as he confidently holds these symbolic objects. This particular series also includes portraits of Samuel's parents, Cornelis Samuelsz van Esch and Josina Jansdr de Carpentier, their three daughters, and two sons - making it a cherished family treasure. The Liszt Collection has preserved this extraordinary piece that not only serves as a visual delight but also offers valuable insights into Dutch portraiture from the early 17th century
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