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Audran in the role of Arthur in Madelon a comic
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Audran in the role of Arthur in Madelon a comic
Audran in the role of Arthur in Madelon a comic opera by Francois Bazin, 1852.. Handcoloured lithograph by Alexandre Lacauchie from Galerie Dramatique: Costumes des Theatres de Paris ca. 1860
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Media ID 14210457
© Florilegius / Mary Evans
1860 Alexandre Arthur Dramatique Francois Galerie Lacauchie Opera Singer Theatres Audran Bazin Madelon
EDITORS COMMENTS
This handcolored lithograph showcases the renowned French baritone, Jean-Baptiste Faure Audran, in the title role of Arthur from the comic opera "Madelon" by Francois Bazin. The image, created by the skilled artist Alexandre Lacauchie for Galerie Dramatique: Costumes des Theatres de Paris around 1860, offers a glimpse into the rich history of French grand opera. Audran's expressive face and commanding presence convey the depth and complexity of Arthur, a character from Bazin's three-act opera. The intricately detailed costume, adorned with gold trim and a flowing cape, further emphasizes the character's regal stature. The lithograph's vibrant colors and meticulous shading bring the image to life, transporting viewers back in time to the Parisian opera houses of the mid-19th century. "Madelon," with its engaging storyline and memorable music, was a popular success during its premiere in 1852. The opera's combination of comedy and drama resonated with audiences, and Audran's performance as Arthur was widely praised for its emotional depth and technical prowess. This lithograph serves as a testament to the enduring legacy of both Audran and "Madelon," offering a unique glimpse into the world of French grand opera during the Second Empire period. The intricately designed set and elaborate costumes, as depicted in this lithograph, were a hallmark of the Parisian opera scene during this time. The Galerie Dramatique: Costumes des Theatres de Paris was a leading publisher of such images, documenting the visual splendor of the Parisian stage for collectors and enthusiasts alike.
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