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BRONZINO, Agnolo di Cosimo di Mariano, also called

BRONZINO, Agnolo di Cosimo di Mariano, also called


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BRONZINO, Agnolo di Cosimo di Mariano, also called

BRONZINO, Agnolo di Cosimo di Mariano, also called Il (1502-1572). Portrait of Eleonora di Toledo with her Son Giovanni. ca. 1545. Wife and son of Cosimo I de Medici. Mannerism art. Oil on wood. ITALY. Florence. Galleria degli Uffizi (Uffizi Gallery)

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Agnolo Bronzino Called Cosimo Degli Eleonora Florence Galleria Giovanni Mannerism Mariano Medici Toledo


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EDITORS COMMENTS
This exquisite portrait, painted by the Florentine artist Agnolo di Cosimo, known as Bronzino, depicts Eleonora di Toledo, the wife of Cosimo I de Medici, and their young son, Giovanni, around the year 1545. The painting is an outstanding example of Mannerist art, characterized by its elongated figures, exaggerated gestures, and complex compositions. Eleonora, dressed in rich fabrics and adorned with precious jewels, gazes directly at the viewer with a confident and serene expression, while her son, dressed in the traditional attire of a Medici heir, looks up at his mother with a playful and inquisitive gaze. The interplay of light and shadow, the intricate details of the textiles and the delicate rendering of the sitters' features all contribute to the painting's captivating allure. The portrait was painted during a period of great political and artistic change in Florence, as the Medici family solidified their power and patronage of the arts. Bronzino, a key figure in Cosimo I's court, was a central figure in the development of Mannerist style, which would come to define the artistic output of the Florentine school for decades to come. Today, this portrait of Eleonora and Giovanni is housed in the prestigious Galleria degli Uffizi in Florence, where it continues to captivate audiences with its beauty and historical significance. The painting is a testament to the artistic prowess of Bronzino and the enduring influence of the Medici family on the cultural landscape of Europe.

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