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Caricature of Wilson Barrett, actor, manager and playwright
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Caricature of Wilson Barrett, actor, manager and playwright
Caricature of Wilson Barrett (William Henry Barrett; 1846-1904), actor, theatre manager and playwright. One of the " Lights of London". In 1881 he took over the running of the Princesss Theatre, and presented as well as appeared in a melodrama by G R Sims, The Lights o London.
1881
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Media ID 14310200
© Terry Parker / Mary Evans Picture Library
1881 Actors Barrett Bryan Drama Dramatist Entracte Lights Management Manager Melodrama Playwright Sims Wilson
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This caricature depicts the charismatic figure of Wilson Barrett, a prominent actor, manager, and playwright of the Victorian era. Born in 1846 as William Henry Barrett, he was famously known as one of the "Lights of London" for his exceptional talent and magnetic stage presence. In 1881, Barrett took the reins of the Princess Theatre, where he both managed and starred in a melodrama penned by G.R. Sims, titled "The Lights of London." Barrett's career began in the late 1860s, and he quickly rose to fame for his performances in various theatrical productions. His magnetic stage presence and versatility as an actor allowed him to tackle a wide range of roles, from tragic heroes to comedic characters. In addition to his acting prowess, Barrett also demonstrated a knack for theatre management and playwriting. During his tenure at the Princess Theatre, Barrett presented and performed in "The Lights of London," which became a significant success. The melodrama, set against the backdrop of London's criminal underworld, showcased Barrett's ability to captivate audiences with his emotive acting and compelling storytelling. This caricature, created in the late 1880s, captures the essence of Barrett's charisma and theatrical flair. With a twinkle in his eye and a confident smile, the image encapsulates the spirit of an era defined by its vibrant theatrical scene and larger-than-life personalities. Barrett's enduring legacy continues to inspire and captivate audiences, making him an iconic figure in the annals of Victorian theatre history.
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