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IRAN. Naqsh-e Rustam. The Roman emperor Valerianus

IRAN. Naqsh-e Rustam. The Roman emperor Valerianus


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IRAN. Naqsh-e Rustam. The Roman emperor Valerianus

IRAN. Naqsh-e Rustam. The Roman emperor Valerianus kneeling before Shapur I after the battle of Edessa (260). Persian art. Sasanian art. Relief

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Media ID 14184534

© Iberfoto/Mary Evans

Asians Edessa Fars Figures Iran Iranian Iranians Islamic Kneeling Naqsh Persian Persians Rustam Sculptures Statues Masculine Persons Sasanian Sassanian Sassanid


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EDITORS COMMENTS
Naqsh-e Rustam, located in the Marvdasht region of Fars, Iran, is an archaeological site renowned for its collection of Sasanian rock reliefs. Among these masterpieces is the intriguing scene of the Roman Emperor Valerianus (r. 253-260 AD) in submission before Shapur I (r. 240-272 AD), following the Battle of Edessa in 260 AD. This powerful image, showcasing Persian art at its finest, is a testament to the cultural exchange and political dynamics between the Roman and Sasanian Empires during antiquity. Valerianus, depicted as a humbled figure, is shown on one knee, while Shapur I, the victorious king, sits majestically on his throne. The Roman emperor's submissive posture symbolizes the defeat of the Roman forces and the submission of Valerianus to Shapur I. The relief also features two horses, one each for the emperors, emphasizing their royal status and power. The square, colorful relief, with its meticulous details, is a prime example of Sasanian art. The figures are portrayed with great precision and realism, reflecting the advanced artistic skills of the Sasanian artists. This scene, which depicts a significant moment in Asian history, has captivated scholars and art enthusiasts for centuries, offering valuable insights into the rich cultural heritage of Iran and the broader Middle East. The intricate relief, with its round edges and vibrant colors, stands as a testament to the artistic achievements of the Sasanian civilization and the enduring legacy of its art.

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