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Lagopus lagopus, willow grouse
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Lagopus lagopus, willow grouse
Plate 191 from John James Audubons Birds of America, original double elephant folio (1831-34), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London
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Media ID 8595681
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10704656
Aquatint Asterid Audubon Birds Of America Camellia Camellia Sinensis Camellia Thea Camellieae Chick Crown Pea Ericales Eudicot Eurosid Fabaceae Fabales Fabidae Angiospermae Dicot Dicotyledon
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Plate 191 from John James Audubon's iconic work, "Birds of America," showcases the intricately detailed representation of the Willow Ptarmigan, or Lagopus lagopus. This print, part of the original double elephant folio published between 1831 and 1834, is a testament to Audubon's unwavering dedication to documenting the natural world. The Willow Ptarmigan, a native of North America and Eurasia, is depicted in its full plumage, with its distinctive white winter feathers contrasting sharply against the lush green foliage and vibrant camellia flowers in the background. The Willow Ptarmigan is a member of the grouse family, and is known for its ability to blend seamlessly into its environment. The bird's camouflage is so effective that it can go unnoticed among the rocks and shrubs, making it a challenging quarry for hunters. In this plate, Audubon masterfully captures the bird's alert posture, with its head cocked to one side and its piercing gaze fixed on the viewer. The Willow Ptarmigan is surrounded by a rich tapestry of flora, including members of the Fabaceae family, such as camellia sinensis, the tea plant, and various species of legumes. The plate also features a chick nestled among the rocks, further highlighting the bird's strong connection to its natural habitat. This stunning print, engraved, printed, and hand-coloured by R. Havell (& Son) in London, is an exquisite example of the artistry and scientific precision that characterized Audubon's groundbreaking work. The use of the aquatint technique, which allowed for a wide range of tonal values and subtle shading, adds depth and texture to the image, making it a true masterpiece of natural history art.
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