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Caricature of a man impotently tilting at
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Caricature of a man impotently tilting at
Caricature of a man impotently tilting at rings (jeu de bague) on a merry-go-round. Based on the attempt by King Louis Philippe to marry his son the Ferdinand Philippe, Duc d Orleans, to either a German or English princess. Handcoloured lithograph from Henry Rene Allemagnes Sports and Games of Skill (Sports et Jeux d Adresse), Librairie Hachette, Paris, 1903
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Media ID 23204146
© Florilegius/Mary Evans
Allemagne Bague Dadresse Dorleans Ferdinand Hussar Jeux Merry Go Round Philippe Rene Rings Skill Tilt Games
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Caricature of a Frustrated Duc d'Orleans Tilting at Rings on a Merry-Go-Round: A Satirical Commentary on King Louis Philippe's Marital Plans This handcoloured lithograph, titled "Sports et Jeux d'Adresse: Jeu de Bague" (Sports and Games of Skill: Ring Toss), from Henry Rene Allemagne's collection, offers a humorous take on the political and personal struggles of King Louis Philippe of France during the mid-19th century. The central image depicts a caricatured Duc d'Orleans, Ferdinand Philippe, impotently tilting at rings mounted on a merry-go-round with a sword and the uniform of a hussar. The Duc d'Orleans, the eldest son of King Louis Philippe, was under immense pressure from his father to marry either a German or English princess in order to strengthen diplomatic ties and secure a strong alliance for France. However, Ferdinand was not interested in either option, preferring to live a life of pleasure and indulgence. The caricature reflects the public's frustration and amusement at the Duc's apparent inability to fulfill his marital duties, symbolized by his futile attempts to toss the rings onto the merry-go-round. The image also underscores the broader political climate of the time, with the monarchy facing mounting criticism and instability. The intricately detailed engraving, with its vibrant colors and lively depiction of the scene, adds to the overall sense of merriment and satire. The juxtaposition of the serious political context and the lighthearted, almost whimsical, imagery creates a fascinating commentary on the complexities of French politics and society during the mid-19th century.
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