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English aristocrat in a carriage ignoring a handshake
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English aristocrat in a carriage ignoring a handshake
English aristocrat in a carriage ignoring a handshake from a lady, 19th century. Mrs Lucy Somersville cut by the Countess of Caperington, Lady Scattercash, in front of hunters and spectators at a fox hunt. Most pernicious woman. Handcoloured steel engraving after an illustration by Hablot Knight Browne (Phiz) from Robert Smith Surtees Mr. Facey Romfords Hounds, Bradbury, Evans and Co. London, 1865
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Media ID 23388568
© Florilegius
Afternoon Aristocrat Comical Commoner Crinoline Footman Frenchman Glove Guilt Handshake Humor Ignoring Jack Leech Livery Mamma Richest Rogers Servant Surtees Temps Tray Trick Owner Smith
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EDITORS COMMENTS
In this intriguing 19th century handcoloured steel engraving, we witness a scandalous moment in the high society of Victorian England. The image captures Lady Scattercash, played by the Countess of Caperington, extending her hand towards Mrs. Lucy Somersville, an English aristocrat, who is seated in a carriage. However, Mrs. Somersville turns a blind eye to the outstretched hand and continues to engage in her afternoon tea, seemingly oblivious to the lady's attempt at a handshake. The scene unfolds in front of a group of hunters and spectators, adding to the tension and drama of the situation. Mrs. Somersville's crinoline dress and the livery of her footman in the background further emphasize the opulence and grandeur of the era. The artist, Hablot Knight Browne, also known as Phiz, masterfully captures the expressions of guilt and surprise on the faces of the onlookers, as they witness this audacious act of social disregard. The Frenchman, Jack Rogers, who stands nearby, seems particularly amused by the situation, holding a silver plate and a glove. This caricature, taken from Robert Smith Surtees' Mr. Facey Romfords Hounds, published by Bradbury, Evans and Co. in London in 1865, is a comical yet insightful commentary on the complex social dynamics of the Victorian era. The contrast between the formal setting of the fox hunt and the informal yet scandalous interaction between the two ladies adds an element of humor and intrigue to the image. The handcoloured steel engraving, reminiscent of the works of John Leech and John Doyle, is a testament to the artistic skill and creativity of the time. It provides a glimpse into the past, offering a unique perspective on the lives of the English aristocracy and their social intrigues.
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