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Illuminated calendar for April 1846

Illuminated calendar for April 1846


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Illuminated calendar for April 1846

Calendar for April with figures of Zechariah and St. John the Evangelist, quote from Galatians, disciples, castles, bull, birds and foliage. From an illuminated Book of Hours of the Duke the Anjou. 1380. Chromolithograph in colors and gilt from Henry Noel Humphreys The Illuminated Calendar and Home Diary for 1846, Longmon, London, 1846

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Media ID 23386532

© Florilegius

1846 Adam Anjou Bibliotheque Calendar Diary Disciples Foliage Gilt Hours Humphreys Illuminated Illumination Latin Manuscript Noel Quote Ephese Ephesians


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Medieval Art

> Arts > Artists > B > John Bird

> Arts > Artists > H > Thomas Henry

> Europe > United Kingdom > England > London > Royalty

> Mary Evans Prints Online > New Images August 2021


EDITORS COMMENTS
This exquisite illuminated calendar print for April 1846, taken from Henry Noel Humphreys' "The Illuminated Calendar and Home Diary," showcases a richly detailed and vibrant scene from the medieval Book of Hours of the Duke the Anjou, dating back to 1380. The calendar page is adorned with figures of Zechariah and St. John the Evangelist, set against a lush backdrop of foliage and castles. The quote from the Ephesians, "I am the true vine, and my Father is the husbandman," is elegantly inscribed at the top. The central figures of the calendar are the disciples St. Thomas and St. John, depicted in deep contemplation. In the lower left corner, Adam and Eve are shown in a garden, surrounded by birds and other creatures, symbolizing the cycle of life and renewal. The intricate details of the illustration are further enhanced by the use of chromolithography, a printing technique that allowed for the application of multiple colors and gilt accents. The illuminated calendar was a popular form of decorative art during the 19th century, and this particular print from the Mary Evans Picture Library offers a glimpse into the rich artistic traditions of the Middle Ages. The intricate details and vibrant colors of the print transport us back in time, allowing us to appreciate the beauty and craftsmanship of this medieval manuscript.

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