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Scenes of the Eastern Cape (Kaffraria), South Africa, 1820
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Scenes of the Eastern Cape (Kaffraria), South Africa, 1820
Nguni or Bantu (Kaffir) warrior hunting antelope with spears 55, forsaking a woman drowning in a river 56, and worshipping an anchor from an East India ship 57. Handcoloured copperplate engraving from Rev. Isaac Taylors Scenes in Africa for the Amusement and Instruction of Little Tarry-at-Home Travelers, Harris and Son, London, 1820
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Media ID 23391538
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1820 Africans Algeria Algiers Amusement Barbary Bombardment Cape Exmouth Hawking Instruction Isaac Prayer Shipwreck Tarry Taylor Kaffraria
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EDITORS COMMENTS
This handcoloured copperplate engraving, titled 'Scenes in Africa' and published by Harris and Son in London in 1820, offers a glimpse into the diverse and intriguing world of the Eastern Cape (Kaffraria) in South Africa during the early 19th century. The three distinct scenes depicted in this print reflect the complex and multifaceted nature of life in this region. In the first scene, a Nguni or Bantu (Kaffir) warrior is shown in the act of hunting antelope with a group of companions. Armed with spears, they are intently focused on their prey, a testament to their skill and survival instincts. The vibrant colours and dynamic poses of the hunters convey the excitement and energy of the chase. The second scene presents a poignant and contrasting image. A woman, likely a member of the same community, is shown struggling in the waters of a river. Despite the urgency of the situation, the warrior in the first scene, and others, have turned away, seemingly unable or unwilling to help. This scene raises questions about the priorities and values of the community and the role of gender in their society. The third scene offers a glimpse into the religious practices of the people of the Eastern Cape. A group of Africans are shown gathered around an anchor from an East India ship, a symbol of the influence of European trade and exploration on the region. They are shown in a posture of prayer, suggesting that the anchor has taken on a spiritual significance for them. These scenes offer a fascinating window into the complex and nuanced world of the Eastern Cape during the early 19th century, a time of significant cultural exchange and transformation. The print also serves as a reminder of the rich and complex history of the region, which continues to shape the cultural and social landscape of South Africa today.
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