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Seeing multiples / Photography trick
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Seeing multiples / Photography trick
Photographers became more experimental with the portraits they could photograph. In this example the same man appears multiple time within the same frame. Date: 1902
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Media ID 23210774
© Mary Evans Picture Library
Checkers Conversation Development Double Experiment Experimental Portraiture Tricks 1902 Duplicates Games Multiples
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This intriguing photograph, taken in the year 1902, showcases an early example of experimental photography techniques used in portraiture. The image captures a man engaged in a seemingly ordinary scene, sitting at a table playing checkers with an unseen opponent. However, upon closer inspection, it becomes apparent that this is not a single image, but rather a clever photography trick that has resulted in multiple versions of the same man appearing within the same frame. The development of photography in the late 19th and early 20th centuries brought about a sense of excitement and innovation among photographers, who were eager to push the boundaries of their craft. This experiment with multiples, or doubles, as they were often called, was a popular trend during this time. The technique involved capturing multiple exposures on a single plate or negative, resulting in overlapping images that created the illusion of multiple subjects. The use of this photography trick added a new dimension to portraiture, allowing photographers to capture the essence of their subjects in a more playful and creative way. The man in this photograph seems to be engaged in a deep conversation with himself, or perhaps even enjoying a friendly game of checkers with his double. The table and checkers board add a sense of familiarity and comfort to the image, making it all the more intriguing that the man appears in more than one place. This photograph is a testament to the ingenuity and creativity of early 20th century photographers, who were not afraid to experiment with their craft and push the boundaries of what was possible with the medium.
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