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Skeleton of death aiming a dart at bareknuckle boxers
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Skeleton of death aiming a dart at bareknuckle boxers
Skeleton of death aiming a dart at bareknuckle boxers during a fight. Death and the Pugilists. Handcoloured copperplate engraving by Joshua Gleadah after an illustration by Benedictus Antonio Van Assen from The British Dance of Death, Hodgson, London, 1823
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23382356
© Florilegius
Aiming Antonio Arrow Assen Benedictus Boxers Corpulent Cruikshank Dart Dining Eating Fork Gleadah Glutton Joshua Knife Napkin Pudding Regency Skeleton Tablecloth Bareknuckle
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EDITORS COMMENTS
Skeleton of Death Aiming a Dart at Bareknuckle Boxers" is an intriguing hand-colored copperplate engraving from the Regency era, created by Joshua Gleadah after an illustration by Benedictus Antonio Van Assen for The British Dance of Death, published in London in 1823 by Hodgson. The image depicts Death personified as a gaunt, skeletal figure, poised to throw a dart at two corpulent bareknuckle boxers engaged in a fierce fight. The scene takes place at a dining table, where the boxers have momentarily paused their match to indulge in a hearty meal. One boxer, with a pudding in front of him, wields a knife and fork, while the other, with a napkin around his neck, reaches for a glass of wine. The table is adorned with a tablecloth, adding a touch of domesticity to the otherwise violent scene. The title "Skeleton of Death Aiming a Dart at Bareknuckle Boxers" underscores the transience of life and the inevitability of death, even in the midst of earthly pleasures and passions. The image serves as a stark reminder of the fragility of human existence and the inevitability of mortality. The intricate detail and vibrant colors of the hand-colored engraving bring the scene to life, transporting the viewer back in time to the Regency era. The use of copperplate engraving, a popular technique during the period, adds to the image's antique charm and historical significance. Benedictus Antonio Van Assen's original illustration and Joshua Gleadah's engraving are both masterful works of art that continue to captivate audiences with their intriguing subject matter and exquisite craftsmanship. This image is a testament to the enduring power of art to reflect the cultural and social realities of a bygone era and to provoke thought and reflection on the human condition.
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