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ROYALTY, EPISCOPACY, LAW
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ROYALTY, EPISCOPACY, LAW
Royalty, episcopacy and law: George I depicted with a guinea coin for his head, a bishop, and a lawyer with a mallet for a head. Date: 1722
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Media ID 20156995
© Bubblepunk
1722 Allegorical Allegory Bishop Coin Depicted Guinea Hogarth Inhabitants Lawyer Mallet Moon
EDITORS COMMENTS
This intriguing and thought-provoking print, titled "Royalty, Episcopacy, and Law," dates back to 1722 and is an allegorical masterpiece by the renowned British artist, William Hogarth. The image depicts three distinct figures, each symbolizing a crucial aspect of society during the reign of King George I: Royalty, Episcopacy, and Law. At the center of the composition, King George I is depicted in regal attire, his head replaced by a guinea coin, symbolizing the monetary power and stability of the realm. The King's presence underscores the importance of the monarchy in maintaining the social order. To the right of the King, a bishop, dressed in full ecclesiastical regalia, is shown with a crosier and a mitre. His head is replaced by that of a moon, representing the Episcopacy, or the spiritual authority of the Church. The moon's presence signifies the divine guidance and moral compass that the Church provides to the people. On the left side of the print, a lawyer is depicted with a quill in one hand and a mallet in place of his head. The mallet symbolizes the law and its power to enforce order and justice. The lawyer's presence underscores the importance of a fair and impartial legal system in maintaining the social fabric. The inhabitants of the scene, gathered around the central figures, add depth and context to the allegory. Their diverse appearances and expressions reflect the rich tapestry of society during this period. The intricate details and masterful use of light and shadow further enhance the visual impact of this remarkable work of art. Overall, "Royalty, Episcopacy, and Law" is a testament to Hogarth's artistic genius and his ability to encapsulate the essence of the societal structures of his time in a single, powerful image.
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