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Margaret Rawlings, actress, (1906-1996) theatrical and informal portraits. Captioned, White in a single night'. With description, A camera-study of Margaret Rowlings, whose performance in "The Venetian

Margaret Rawlings, actress, (1906-1996) theatrical and informal portraits. Captioned, White in a single night'. With description, A camera-study of Margaret Rowlings, whose performance in 'The Venetian


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Margaret Rawlings, actress, (1906-1996) theatrical and informal portraits. Captioned, White in a single night'. With description, A camera-study of Margaret Rowlings, whose performance in "The Venetian

Margaret Rawlings, actress, (1906-1996) theatrical and informal portraits. Captioned, White in a single night'. With description, A camera-study of Margaret Rowlings, whose performance in "The Venetian, " at the Little Theatre, is a poetic memory, has been touring in New York and Australia for eighteen months. She returned to London to play in Peter Godfrey's production of "I Hate Men, " at the Gate Theatre'. She later became Lady Barlow, when her second husband, Robert Barlow, was knighted in 1943. Date: 1933

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Media ID 32241022

© Illustrated London News Ltd / Mary Evans

1933 Acting Hate Informal Margaret Rawlings Touring Venetian Theatrical


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EDITORS COMMENTS
White in a Single Night": A Camera Study of Margaret Rawlings, a 1930s Actress This photograph captures the enigmatic presence of Margaret Rawlings (1906-1996), an acclaimed British actress whose theatrical prowess left indelible impressions on audiences in the 1930s. The image, titled "White in a Single Night," is a camera study that offers a glimpse into the informal side of this versatile performer. Rawlings' career reached new heights when she starred in "The Venetian" at the Little Theatre. Her portrayal of the title character in this production captivated audiences and propelled her to international fame. The play toured extensively in New York and Australia for eighteen months, and upon her return to London, she graced the stage of the Gate Theatre in Peter Godfrey's production of "I Hate Men." Despite her success, Rawlings' personal life was marked by significant milestones. In 1943, she became Lady Barlow when her second husband, Robert Barlow, was knighted. This photograph, taken in 1933, offers a rare and intimate look at Rawlings, capturing her in a candid moment away from the limelight. The image is a testament to her enduring allure and the magnetic power of her stage presence. Margaret Rawlings' legacy as a 20th-century actress continues to inspire and captivate audiences, and this photograph stands as a poignant reminder of her theatrical brilliance.

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