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New England Landscape
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New England Landscape
A plain countryside landscape, featuring large, sloping hills, and sheep on the grasslands of New England, New South Wales, Australia. Date: circa 1923
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 32243580
© CLM Archive Collection / Mary Evans
Elioth Featuring Grasslands Gruner Hills Lauritz Oscar Plain Possession Sheep Sloping 1923
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EDITORS COMMENTS
This evocative photograph captures the breathtaking beauty of the New England landscape in New South Wales, Australia, circa 1923. The image features a plain countryside scene with large, sloping hills that seem to roll endlessly towards the horizon. The undulating terrain is dotted with patches of lush, green grasslands, where sheep graze peacefully, their white forms contrasting against the rolling hills and the dark, moody sky. The photograph is an oil painting reproduction, expertly rendered by the skilled hand of Danish-born artist Elioth Lauritz Gruner. Gruner, who was based in Sydney during the early 20th century, was known for his stunning depictions of the Australian landscape. His use of light and shadow, as well as his ability to capture the rugged beauty of the terrain, is evident in this stunning photograph. The scene depicted in the photograph is reminiscent of the New England region in the United States, but this is actually the New England region of Australia. The name "New England" was given to this area of New South Wales due to its similarity to the landscape of New England in the United States. This photograph is a testament to the timeless beauty of the Australian countryside and the enduring appeal of the rural idyll. The photograph is part of the March of the Women Collection from Mary Evans Prints Online, a vast archive of historical images that offers a glimpse into the past. This photograph is not only a beautiful work of art, but also a valuable historical document, capturing a moment in time and providing a window into the past.
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