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Metal Print : Campaign of Egypt: Napoleon Bonaparte (1769-1821) came to inspect the possibility of digging the Suez Canal barely escaped a la maree de la mer rouge, December 1798 (French campaign in Egypt and Syria)
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Campaign of Egypt: Napoleon Bonaparte (1769-1821) came to inspect the possibility of digging the Suez Canal barely escaped a la maree de la mer rouge, December 1798 (French campaign in Egypt and Syria)
ELD4942235 Campaign of Egypt: Napoleon Bonaparte (1769-1821) came to inspect the possibility of digging the Suez Canal barely escaped a la maree de la mer rouge, December 1798 (French campaign in Egypt and Syria: Napoleon's escape from the Red Sea on December 28, 1798) Engraving from " Histoire de l'Emperor Napoleon" by Laurent de l'l'deche 1840 Private collection A; (add.info.: Campaign of Egypt: Napoleon Bonaparte (1769-1821) came to inspect the possibility of digging the Suez Canal barely escaped a la maree de la mer rouge, December 1798 (French campaign in Egypt and Syria: Napoleon's escape from the Red Sea on December 28, 1798) Engraving from " Histoire de l'Emperor Napoleon" by Laurent de l'l'deche 1840 Private collection A); Photo © The Holbarn Archive
Media ID 38419284
© © The Holbarn Archive / Bridgeman Images
Bonaparte Bonaparte Family Emperor Napoleon I Napoleon 1st Napoleon Empereur Napoleon I Napoleon I Of France Napoleon Ist Napoleon Ist Of France Napoleonic War Suez Venus Aphrodite Africa African African Egyptians Isadora
14"x11" (28x35cm) Metal Print
"Step into history with our Metal Prints from Media Storehouse. This stunning piece, 'Campaign of Egypt: Napoleon Bonaparte (1769-1821) came to inspect the possibility of digging the Suez Canal barely escaped a la maree de la mer rouge, December 1798' by Bridgeman Images from Fine Art Finder, brings the French campaign in Egypt and Syria to life. With its sleek metal finish and vibrant colors, this print is sure to make a statement in any room." [Image: Campaign of Egypt: Napoleon Bonaparte (1769-1821) came to inspect the possibility of digging the Suez Canal barely escaped a la maree de la mer rouge]
Our Metal Prints feature rounded corners and rear fixings for easy wall mounting. Images are directly printed onto a lightweight, high quality 5mm thick, durable metallic surface for a vivid and vibrant finish. Available in 2 sizes, 28x35cm (14x11) and 50x40cm (20x16). The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 35.5cm x 27.9cm (14" x 11")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This engraving captures a pivotal moment in history during the French Campaign in Egypt and Syria. The image depicts Napoleon Bonaparte, the ambitious military leader, inspecting the possibility of digging the Suez Canal in December 1798. However, what makes this scene truly remarkable is that Napoleon barely escaped a dangerous situation known as "a la maree de la mer rouge" or "the Red Sea tide."
As we gaze upon this historical print, we are transported back to that fateful day when Napoleon's escape from the Red Sea on December 28th, 1798 was nothing short of miraculous. The tension and drama of this moment are palpable as we witness Napoleon navigating through treacherous waters with determination and courage.
The intricate details captured by the engraver bring to life the intensity of this event, showcasing both the grandeur of Napoleon's vision for Egypt and his narrow brush with disaster. This piece serves as a reminder of Napoleon's daring spirit and unwavering resolve in pursuit of his ambitions.
Through this exquisite engraving from "Histoire de l'Emperor Napoléon" by Laurent de l'l'deche, we are granted a glimpse into a defining chapter in Napoleonic history that continues to captivate audiences centuries later.
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