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Metal Print : False fiddleleaf, Hydrolea spinosa

False fiddleleaf, Hydrolea spinosa



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False fiddleleaf, Hydrolea spinosa

6338431 False fiddleleaf, Hydrolea spinosa by Stanghi (19th century); (add.info.: False fiddleleaf, Hydrolea spinosa. Idrolea spinosa. Handcoloured copperplate stipple engraving from Antoine Laurent de Jussieus Dizionario delle Scienze Naturali, Dictionary of Natural Science, Florence, Italy, 1837. Illustration engraved by Stanghi, drawn by Pierre Jean-Francois Turpin, and published by Batelli e Figli. Turpin (1775-1840) is considered one of the greatest French botanical illustrators of the 19th century.); © Florilegius

Media ID 25214292

© Florilegius / Bridgeman Images

1837 Antoine Laurent De Jussieu Dictionary Of Natural Science Dizionario Delle Scienze Naturali Pierre Jean Francois Turpin Stipple Engraving Copperplate


14"x11" (28x35cm) Metal Print

Bring the enchanting beauty of nature into your home with Media Storehouse Metal Prints featuring the stunning False Fiddleleaf, Hydrolea spinosa, captured by Bridgeman Images from Fine Art Finder. This exquisite 19th-century artwork showcases the intricate details and vibrant colors of this rare and captivating plant. Our high-quality metal prints are not only visually stunning but also durable, ensuring your artwork remains a conversation starter for years to come. Elevate your interior design and add a touch of the natural world to your space with our False Fiddleleaf Metal Print.

Our Metal Prints feature rounded corners and rear fixings for easy wall mounting. Images are directly printed onto a lightweight, high quality 5mm thick, durable metallic surface for a vivid and vibrant finish. Available in 2 sizes, 28x35cm (14x11) and 50x40cm (20x16). The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 27.9cm x 35.5cm (11" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Corsi

> Fine Art Finder > Artists > Stanghi

> Arts > Portraits > Botanical illustrations > Fine art

> Arts > Realistic drawings > Botanical illustrations > Fine art

> Europe > Italy > Florence

> Europe > Italy > Posters

> Europe > Italy > Related Images

> Europe > Italy > Tuscany > Florence


EDITORS COMMENTS
This print showcases the exquisite beauty of the False fiddleleaf, Hydrolea spinosa. The image, captured by Stanghi in the 19th century, is a handcoloured copperplate stipple engraving from Antoine Laurent de Jussieu's Dizionario delle Scienze Naturali (Dictionary of Natural Science) published in Florence, Italy in 1837. The False fiddleleaf, also known as Idrolea spinosa, is brought to life through the intricate details and vibrant colors depicted in this botanical illustration. Pierre Jean-Francois Turpin's skillful drawing perfectly captures the essence of this plant species. Turpin himself is hailed as one of the greatest French botanical illustrators of his time. His contribution to scientific illustrations cannot be understated and his work continues to inspire generations of artists and scientists alike. This stunning print serves as a testament to both artistry and scientific exploration. It invites us into a world where nature's wonders are meticulously documented for study and appreciation. As we gaze upon this piece, we are reminded of our connection with the natural world and its infinite marvels. With its rich history rooted in botany and natural history, this image transports us back to an era when scientific discoveries were made through careful observation and artistic representation. It reminds us that even today, there is much more left for us to explore and understand about our planet's diverse flora. Bridgeman Images has once again curated a remarkable piece that

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