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Metal Print : Caricature of French Prime Minister Emile Combes as Attila the Hun. Illustration for Le Rire (colour litho)

Caricature of French Prime Minister Emile Combes as Attila the Hun. Illustration for Le Rire (colour litho)



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Caricature of French Prime Minister Emile Combes as Attila the Hun. Illustration for Le Rire (colour litho)

2796366 Caricature of French Prime Minister Emile Combes as Attila the Hun. Illustration for Le Rire (colour litho) by Leandre, Charles (1862-1934); Private Collection; (add.info.: Caricature of French Prime Minister Emile Combes as Attila the Hun. Illustration for Le Rire, 12 March 1904.); © Look and Learn

Media ID 25497974

© Look and Learn / Bridgeman Images

Attila The Hun Charles Leandre Decapitated Emile Combes Horse Back Horseback Horse Back Le Rire Prime Minister Riding Party Caricatures Field Sports Teamsport


10"x8" (25x20cm) Table Top Metal Print

Add a touch of historical humor to your decor with our Media Storehouse Metal Print featuring the iconic caricature of Emile Combes, the French Prime Minister, depicted as Attila the Hun. This captivating illustration, originally published in Le Rire magazine as a color lithograph by Leandre, is now transformed into a stunning metal print. The high-quality metal print process ensures vibrant colors, rich details, and a sleek, modern look that adds depth and texture to your space. Bring a unique blend of history and humor into your home or office with this eye-catching and conversation-starting piece from Media Storehouse.

Table Top Metal Prints feature rounded corners and an easel back for easy display. Available in two sizes, 18x13cm (7x5) or 25x20cm (10x8). Lightweight and vibrant, they are perfect for displaying artwork and are guaranteed to add style to any desk or table top. The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Charles Leandre

> Fine Art Finder > Artists > French School

> Animals > Farm > Related Images

> Arts > Artists > L > Charles Leandre

> Arts > Literature > Magazines

> Arts > Pop art > Satire > Humorous artworks

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Sport > Related Images

> Humour > Cartoon

> Humour > Postcard

> Humour > Related Images

> People > Politicians


EDITORS COMMENTS
This vibrant and satirical illustration captures the essence of French Prime Minister Emile Combes as Attila the Hun, creating a humorous commentary on his political reign. Created by renowned artist Charles Leandre in 1904 for the magazine Le Rire, this colour lithograph showcases Leandre's talent for caricature and satire. In this artwork, Combes is depicted riding on horseback, reminiscent of Attila the Hun's fierce leadership. The exaggerated features and comical expression add to the amusement factor of this piece. With decapitated heads scattered around him, symbolizing his political opponents or perhaps those who opposed his policies, it highlights the scathing nature of satire. Le Rire was known for its biting social commentary through cartoons and illustrations like these. This particular image reflects not only France's political climate at that time but also serves as a reminder of how art can be used to critique those in power. The combination of wit, artistic skill, and clever symbolism makes this print an intriguing historical artifact. It offers us a glimpse into both French politics during Emile Combes' tenure as prime minister and the role that satirical art played in shaping public opinion. Overall, this illustration stands as a testament to Charles Leandre's talent as an artist and provides valuable insight into early 20th-century French society through its unique blend of humor and criticism.

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