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Metal Print : Death and the Miser, c. 1515-21 (oil on panel)

Death and the Miser, c. 1515-21 (oil on panel)



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Death and the Miser, c. 1515-21 (oil on panel)

489941 Death and the Miser, c.1515-21 (oil on panel) by Provoost, Jan (c.1465-1529); Groeningemuseum, Bruges, Belgium; (add.info.: Exterior panels of a triptych. These panels were originally the wings of a triptych, the central panel of which is now lost. The interior panels show the two donors kneeling in prayer with scenes from the legends of their patron saints Nicholas and Godeliva (see 489945) and the exterior panels show the image of Death and the Miser.
The man in the doorway is a self portrait of the artist. ); © Art in Flanders

Media ID 28434648

© Art in Flanders / Bridgeman Images

7 Deadly Sins Accountant Allegoric Allegories Allergoric Alllegorical Figure Banker Memento Mori Miser Money Lender Note Panel Panels Personification Pointing Pretension Pride Proud Proudness Self Portrait Seven Deadly Sins Vanity Emotions


10"x8" (25x20cm) Table Top Metal Print

Bring the haunting beauty of Jan Provoost's 'Death and the Miser' masterpiece into your home with Media Storehouse Metal Prints. This exquisite oil on panel artwork, created around 1515-21, depicts the Grim Reaper claiming a greedy miser, reminding us of the transient nature of life. The high-quality metal print preserves the intricate details and rich colors of this iconic Fine Art Finder image from Bridgeman Images. Elevate your decor with a timeless piece that sparks conversation and inspiration.

Table Top Metal Prints feature rounded corners and an easel back for easy display. Available in two sizes, 18x13cm (7x5) or 25x20cm (10x8). Lightweight and vibrant, they are perfect for displaying artwork and are guaranteed to add style to any desk or table top. The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 25.4cm x 20.3cm (10" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Allegories,proverbs & Zodiac Signs

> Fine Art Finder > Artists > Hubert & Jan van (1390-1441) Eyck

> Fine Art Finder > Artists > Jan Provoost

> Arts > Artists > P > Jan Provoost

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > Belgium > Bruges

> Europe > Belgium > Paintings

> Europe > Belgium > Posters

> Europe > Belgium > Related Images

> Popular Themes > Money


EDITORS COMMENTS
The captivating print of "Death and the Miser" by Jan Provoost transports us to a world filled with allegorical symbolism and profound emotions. Painted between 1515-21, this oil on panel masterpiece is currently housed in the Groeningemuseum in Bruges, Belgium. Originally part of a triptych, these exterior panels depict an intriguing scene that explores themes of vanity, greed, and mortality. The central panel has unfortunately been lost over time, but the remaining wings offer a glimpse into the artist's intricate storytelling. In this composition, we witness Death personified as a skeletal figure pointing towards a miserly money lender. This haunting image serves as a memento mori reminder that wealth and material possessions hold no power in the face of death. The inclusion of self-portrait adds another layer to the narrative – perhaps suggesting that even artists are not immune to these existential contemplations. Provoost's attention to detail is remarkable; every element within the painting carries symbolic weight. From the meticulously rendered papers representing financial transactions to the expression on both Death and Miser's faces – prideful yet tinged with fear – each brushstroke evokes powerful feelings within viewers. "Death and the Miser" stands as an allegory for human folly and serves as a cautionary tale against excessive attachment to worldly possessions. It invites us to reflect upon our own lives, urging us not only to contemplate our mortality but also encouraging introspection about what truly matters amidst life's transient

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