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Metal Print : Inscription found in taking down North Pinnacle of St Mark

Inscription found in taking down North Pinnacle of St Mark



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Inscription found in taking down North Pinnacle of St Mark

2832065 Inscription found in taking down North Pinnacle of St Marks dated 1487 (pencil on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; British, out of copyright

Media ID 23473946

© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images

15th Tablet Ecclesiastical


10"x8" (25x20cm) Table Top Metal Print

Bring the timeless beauty of art into your home with Media Storehouse Metal Prints. This exquisite piece, "Inscription found in taking down North Pinnacle of St Mark" by Hugh O'Neill, showcases the intricate details of the original pencil drawing from 1487, now housed at the Bristol Museum and Art Gallery in the UK. Our high-quality Metal Prints not only preserve the authenticity of the artwork but also add a modern and stylish touch to your decor. Experience the fusion of history and contemporary design with this magnificent masterpiece from Fine Art Finder.

Table Top Metal Prints feature rounded corners and an easel back for easy display. Available in two sizes, 18x13cm (7x5) or 25x20cm (10x8). Lightweight and vibrant, they are perfect for displaying artwork and are guaranteed to add style to any desk or table top. The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Hugh O'Neill

> Fine Art Finder > Artists > Joseph Manning

> Fine Art Finder > Drawings & Studies

> Architecture > Churches

> Architecture > Drawings

> Architecture > Religious

> Architecture > Styles > Tudor Architecture

> Arts > Art Movements > Renaissance Art

> Arts > Realistic drawings > Pencil drawings > Fine art

> Europe > United Kingdom > England > Bristol > Bristol

> Europe > United Kingdom > England > London > Sights > British Museum

> Historic > Renaissance art > Religious themes in renaissance art

> Historic > Renaissance art


EDITORS COMMENTS
This print captures an intriguing piece of history, showcasing the inscription found during the dismantling of the North Pinnacle of St Mark's in 1487. Created by Hugh O'Neill, this pencil drawing on paper now resides at the Bristol Museum and Art Gallery in the UK. The image transports us back to a time when religious and ecclesiastical structures held immense significance. The delicately sketched tablet reveals intricate details etched into stone, representing a remarkable blend of architectural styles from the Renaissance and Tudor periods. As we gaze upon this artwork, we are reminded of how architecture can serve as a testament to human creativity and devotion. Each stroke of O'Neill's pencil brings forth an air of mystery surrounding this ancient inscription. What stories lie behind these carefully crafted words? What messages were intended for those who would come across them centuries later? With its rich historical context, this image invites us to ponder our place within the continuum of time. It serves as a reminder that even amidst changing landscapes and evolving societies, remnants from our past continue to shape our present. Through Bridgeman Images' lens, we are granted access to explore not only artistic beauty but also cultural heritage. This photograph allows us to appreciate both the craftsmanship involved in creating such inscriptions and their importance within religious traditions. In essence, this print is more than just an exquisite visual representation; it is a gateway into history itself – inviting us to unravel its secrets one stroke at a time.

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