Metal Print > Animals > Mammals > Camelidae > Bactrianus
Metal Print : The Camel, c1850. Artist: Benjamin Waterhouse Hawkins
Metal Prints from Heritage Images
The Camel, c1850. Artist: Benjamin Waterhouse Hawkins
The Camel, c1850. The central image shows the Arabian Camel or Dromedary (Camelus dromedarius) with a single hump, and the Asian or Bactrian Camel (Camelus bactrianus) with two humps. Surrounding vignettes show (clockwise from top left): a messenger riding a camel; a camel caravan crossing a desert; a camel loaded with merchandise; camels mounted with guns; camel hair cloth being sold in a shop; a desert encampment with camels used for meat and for milk; loading camel with goods; Arab ladies riding on camels. From Graphic Illustrations of Animals and Their Utility to Man published by Thomas Varty. (London, c1850)
Heritage Images features heritage image collections
Media ID 14866100
© Oxford Science Archive / Heritage-Images
Arab Bactria Bactrian Bactrian Camel Benjamin Waterhouse Benjamin Waterhouse Hawkins Camel Camels Camp Caravan Desert Dromedary Hawkins Mounted Oxford Science Archive Thomas Varty Travelling Varty
10"x8" (25x20cm) Table Top Metal Print
Step into the past with our stunning Metal Print of 'The Camel' by Benjamin Waterhouse Hawkins, brought to you by Media Storehouse. This captivating image, sourced from Heritage Images, showcases the beauty and intrigue of two different camel species - the Arabian Camel with its distinctive single hump, and the Asian Camel with its two humps. Each detail, from the textured fur to the expressive eyes, is brilliantly captured in this metal print, creating a timeless piece that adds character and charm to any space. Experience the artistry of Benjamin Waterhouse Hawkins and Thomas Varty, as you bring history into your home with this exquisite Metal Print.
Table Top Metal Prints feature rounded corners and an easel back for easy display. Available in two sizes, 18x13cm (7x5) or 25x20cm (10x8). Lightweight and vibrant, they are perfect for displaying artwork and are guaranteed to add style to any desk or table top. The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 25.4cm x 20.3cm (10" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The Camel, c1850
EDITORS COMMENTS
is a captivating lithograph that showcases the intricate details of two camel species and their various uses in different settings. Created by Benjamin Waterhouse Hawkins and published by Thomas Varty, this print takes us back to the 19th century, offering a glimpse into the world of transportation, travel, and agriculture during that time. At its center, we see an Arabian Camel or Dromedary with its distinctive single hump alongside an Asian or Bactrian Camel with two humps. Surrounding these central images are vignettes depicting scenes such as a messenger riding a camel, a caravan crossing a vast desert landscape, camels loaded with merchandise for trade purposes, and even camels mounted with guns for defense. The print also highlights how camels were utilized in everyday life – from providing meat and milk in desert encampments to being used as pack animals for transporting goods. Additionally, it showcases Arab ladies elegantly riding on camels while showcasing vibrant camel hair cloth sold in shops. With its rich colors and attention to detail, "The Camel" serves not only as an artistic masterpiece but also as an educational tool about the importance of these magnificent creatures throughout history. This Victorian-era lithograph offers us a window into British society's fascination with exotic animals and their utility to mankind. It stands as a testament to both scientific exploration and cultural exchange during the 19th century.
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