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Metal Print : Entrance to the Grand Canal near the Punta della Dogana and Santa Maria della Salute, 1730-1745. Creator: Unknown

Entrance to the Grand Canal near the Punta della Dogana and Santa Maria della Salute, 1730-1745. Creator: Unknown



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Entrance to the Grand Canal near the Punta della Dogana and Santa Maria della Salute, 1730-1745. Creator: Unknown

Entrance to the Grand Canal near the Punta della Dogana and Santa Maria della Salute, 1730-1745

Heritage Images features heritage image collections

Media ID 36328200

© Heritage Art/Heritage Images

Antonio Canaletto Busy Canal Canal Giovanni Antonio Canaletto Canaletto Antonio Canaletto Giovanni Antonio Clear Sky Copyspace Crossing Giovanni Antonio Canal Giovanni Antonio Canaletto Gondola Gondolas Gondolier Grand Canal Il Canaletto Rococo Era Santa Maria Della Salute Santa Salute Venice Italy Europe Waterfront Punta Della Dogana


10"x8" (25x20cm) Table Top Metal Print

Bring the timeless beauty of Venice's Grand Canal into your home with our exquisite Metal Prints featuring the enchanting image of the Entrance to the Grand Canal near Punta della Dogana and Santa Maria della Salute, 1730-1745. This captivating, unknown masterpiece from Heritage Images transports you back in time, showcasing the grandeur and elegance of 18th-century Venice. Our premium Metal Prints are known for their vibrant colors, stunning clarity, and long-lasting durability, making them the perfect addition to any decor. Experience the magic of Venice every day with this beautiful, unknown work of art.

Table Top Metal Prints feature rounded corners and an easel back for easy display. Available in two sizes, 18x13cm (7x5) or 25x20cm (10x8). Lightweight and vibrant, they are perfect for displaying artwork and are guaranteed to add style to any desk or table top. The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 25.4cm x 20.3cm (10" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Landscapes

> Arts > Art Movements > Rococo

> Arts > Artists > C > Canaletto

> Arts > Landscape paintings > Landscape art

> Arts > Still life artwork > Oil paintings > Landscape paintings

> Arts > Portraits > Landscape paintings > Fine art gallery

> Arts > Portraits > Landscape paintings > Oil paintings

> Arts > Realistic drawings > Landscape paintings > Fine art

> Arts > Realistic drawings > Landscape paintings > Oil paintings

> Europe > Italy > Paintings


EDITORS COMMENTS
This stunning 18th century oil painting captures the bustling entrance to the Grand Canal in Venice, Italy, near the Punta della Dogana and Santa Maria della Salute. The scene is filled with a myriad of boats and gondolas, skillfully navigated by gondoliers in traditional striped shirts, as they transport people and goods across the water. The iconic church of Santa Maria della Salute, with its distinctive golden dome, stands proudly in the background, bathed in the soft, warm light of the clear, blue sky. The painting is reminiscent of the works of renowned Venetian artist Antonio Canaletto and his son Giovanni Antonio Canaletto, who were known for their meticulous depictions of Venetian landscapes during the Rococo era. This exquisite piece showcases the rich heritage of Italian and European art, with its intricate details and vibrant colors, making it a must-see for art enthusiasts and history buffs alike. The painting is believed to date from around 1730-1745 and is a testament to the beauty and charm of Venice during this period. The painting's serene and picturesque composition invites the viewer to imagine the sights, sounds, and smells of this bustling waterway, transporting them to another time and place.

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