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Metal Print : Morning Mists, Hemingford Grey, 1906. Creator: Frederick George Cotman

Morning Mists, Hemingford Grey, 1906. Creator: Frederick George Cotman



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Morning Mists, Hemingford Grey, 1906. Creator: Frederick George Cotman

Morning Mists, Hemingford Grey, 1906. by Frederick George Cotman (1850-1920). From " The Royal Institute of Painters in Water Colours", edited by Charles Holme. [London Offices of the Studio, London, Paris & New York, 1906]

Heritage Images features heritage image collections

Media ID 19047345

© The Print Collector/Heritage Images

Atmosphere Atmospheric Cambridgeshire Charles Holme Church Of St James Cotman Frederick George Holme Mist Misty Morning Reflected Reflection Royal Institute Of Painters Royal Institution St James Church St Jamess Church The Studio Ltd The Studio Publications Great Ouse River Great Ouse


14"x11" (28x35cm) Metal Print

Breathe new life into your space with a stunning Morning Mists Metal Print from Media Storehouse. This exquisite artwork, captured by renowned artist Frederick George Cotman in 1906, showcases the ethereal beauty of Hemingford Grey as morning mists gently envelop the landscape. The vibrant colors and intricate details of this timeless masterpiece are brilliantly brought to life on our high-quality metal prints, creating a captivating and modern piece of art for your home or office. Experience the depth and texture as if you were there, with each print individually crafted for a truly unique and mesmerizing display.

Our Metal Prints feature rounded corners and rear fixings for easy wall mounting. Images are directly printed onto a lightweight, high quality 5mm thick, durable metallic surface for a vivid and vibrant finish. Available in 2 sizes, 28x35cm (14x11) and 50x40cm (20x16). The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 35.5cm x 27.9cm (14" x 11")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Landscapes

> Arts > Artists > C > Frederick Church

> Arts > Artists > C > James Charles

> Arts > Contemporary art > Landscapes > Nature landscapes

> Arts > Landscape paintings > Landscape art > Nature-inspired artwork

> Arts > Landscape paintings > Landscape art

> Arts > Landscape paintings > Nature-inspired artwork

> Arts > Landscape paintings > Waterfall and river artworks > Landscape paintings

> Arts > Landscape paintings > Waterfall and river artworks > Nature-inspired paintings

> Arts > Landscape paintings > Waterfall and river artworks


Morning Mists, Hemingford Grey, 1906

EDITORS COMMENTS
is a captivating watercolor print by Frederick George Cotman. This enchanting artwork takes us back to the early 20th century in Cambridgeshire, England. The misty atmosphere creates an ethereal and serene ambiance that transports viewers into a different time and place. In the foreground of the painting, we see a small boat gently gliding along the River Great Ouse. The reflection of trees and plants on the calm waters adds to the tranquility of this scene. Beyond the riverbank stands St James Church, its spire reaching towards the heavens as if touching upon spirituality itself. Cotman's masterful use of color captures every subtle hue found in nature during those early morning hours. Shades of blue and gray blend seamlessly with hints of green from surrounding foliage. The soft brushstrokes create an almost dreamlike quality that invites contemplation and introspection. This print not only showcases Cotman's artistic talent but also serves as a window into British history and culture at that time. It reminds us of simpler times when transportation relied on boats rather than cars or trains. "Misty Morning, Hemingford Grey" is more than just a beautiful landscape; it encapsulates a moment frozen in time—a testament to Cotman's ability to capture both physical beauty and intangible emotions through his artistry.

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