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Metal Print : The new-born child, 15th century (1849). Artist: A Bisson

The new-born child, 15th century (1849). Artist: A Bisson



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The new-born child, 15th century (1849). Artist: A Bisson

The new-born child, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in the Histoire de la Belle Helaine, held by the Royal Library, Brussels. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Heritage Images features heritage image collections

Media ID 14936834

© The Print Collector / Heritage-Images

A Bisson A Rivaud Bedchamber Bedroom Birth Bisson Cottard Ferdinand Ferdinand Sere Fireplace Lacroix Lady In Waiting Lying Down Midwife Paul Paul Lacroix Rivaud Sere


10"x8" (25x20cm) Table Top Metal Print

Bring history to life with our exquisite Media Storehouse Metal Prints. This captivating image, titled "The new-born child, 15th century (1849)," is an extraordinary 19th century interpretation of an original 15th century manuscript illustration from the Royal Library in Brussels. Created by renowned artist A Bisson from Heritage Images, this timeless masterpiece features a delicate newborn child set against the backdrop of the past. Our high-quality metal prints are not just beautiful decorative pieces, but also a window into history. Each print is meticulously crafted using advanced printing techniques and a sturdy metal substrate, ensuring a vibrant, long-lasting display. Elevate your home or office space with this captivating work of art from the annals of history. Order your Media Storehouse Metal Print today and let the story unfold.

Table Top Metal Prints feature rounded corners and an easel back for easy display. Available in two sizes, 18x13cm (7x5) or 25x20cm (10x8). Lightweight and vibrant, they are perfect for displaying artwork and are guaranteed to add style to any desk or table top. The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 25.4cm x 20.3cm (10" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Renaissance Art

> Arts > Artists > Related Images

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Historic > Renaissance art

> Renaissance art

> Renaissance art


EDITORS COMMENTS
This print takes us back to the 15th century, capturing a tender moment of motherhood. Created in 1849 by artist A Bisson, it is based on an original manuscript illustration from the Histoire de la Belle Helaine held at the Royal Library in Brussels. In this intimate scene, we find ourselves inside a cozy bedroom adorned with a crackling fireplace. The lady of the house lies comfortably on a bed while her trusted midwife attends to her needs. Surrounding them are other women, perhaps ladies-in-waiting or family members, eagerly awaiting the arrival of the new-born child. The image beautifully portrays both the solemnity and joy that comes with childbirth. The room exudes warmth and tranquility as everyone anxiously anticipates the miracle about to unfold. It serves as a reminder of how deeply rooted our fascination with birth has been throughout history. Through this engraving, A Bisson skillfully captures not only an important historical moment but also highlights the significance of motherhood as a profession and occupation during that era. This monochrome masterpiece invites us to reflect upon our shared human experience across centuries and reminds us of our timeless connection to those who came before us. As we gaze upon this remarkable piece from Le Moyen Age et la Renaissance by Paul Lacroix, Ferdinand Sere, and A Rivaud, Volume III (Paris, 1849), we can't help but marvel at its ability to transport us through time into this sacred

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