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Metal Print : No. 8. Ye-nan-gyoung [Yenangyaung]. Kyoung. 1855. Creator: Captain Linnaeus Tripe
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No. 8. Ye-nan-gyoung [Yenangyaung]. Kyoung. 1855. Creator: Captain Linnaeus Tripe
No. 8. Ye-nan-gyoung [Yenangyaung]. Kyoung. 1855. [A kyaung (monastery) in Yenangyaung, a city in the Magway Region of what is now Myanmar, (formerly Burma)]. Salted paper print, from the album " Views of Burma" (1856)
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Media ID 24034957
© Heritage Art/Heritage Images
Burma Burma Asia Burmese Captain Linnaeus Tripe Far East Linnaeus Tripe Monastery Myanmar Pagoda Salted Paper Print Sepia Tripe Captain Linnaeus Tripe Linnaeus
10"x8" (25x20cm) Table Top Metal Print
Step into the past with our exquisite Metal Print of No. 8. Ye-nan-gyoung [Yenangyaung]. Kyoung, 1855, by Captain Linnaeus Tripe. This stunning image captures the beauty and history of a Burmese kyaung (monastery) in Yenangyaung, now part of Myanmar. The metal print's vibrant colors and exceptional detail bring the rich heritage of this ancient city to life. Add this timeless piece to your decor and let the story of Captain Tripe's journey unfold in your home.
Table Top Metal Prints feature rounded corners and an easel back for easy display. Available in two sizes, 18x13cm (7x5) or 25x20cm (10x8). Lightweight and vibrant, they are perfect for displaying artwork and are guaranteed to add style to any desk or table top. The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 25.4cm x 20.3cm (10" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print by Captain Linnaeus Tripe takes us back to the year 1855, capturing the essence of Ye-nan-gyoung (Yenangyaung), a city nestled in the Magway Region of Myanmar. The image showcases a serene kyaung (monastery) that stands as a testament to Burma's rich architectural heritage. The monochrome composition, rendered in sepia tones, adds an air of nostalgia and timelessness to this 19th-century masterpiece. The salted paper print technique employed by Tripe enhances the texture and depth of the photograph, allowing viewers to immerse themselves in its intricate details. As we gaze upon this remarkable piece, we are transported to a far-eastern land where religion and spirituality intertwine seamlessly with art and culture. The pagoda towering over the monastery serves as a symbol of devotion and faith, inviting contemplation from all who encounter it. Tripe's expert craftsmanship not only captures the physical beauty of this location but also offers us glimpses into Burmese society during that era. Through his lens, he reveals snippets of daily life unfolding outside these sacred walls – perhaps monks engaged in their spiritual practices or locals going about their routines. This print from Tripe's renowned album "Views of Burma" is not just an artistic representation; it is a window into history itself. It reminds us of our collective human journey through time while celebrating the enduring legacy left behind by civilizations long past.
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