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Metal Print : Early Christian Art. Egypt. Clay jar (AMPULLAE) with Saint

Early Christian Art. Egypt. Clay jar (AMPULLAE) with Saint



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Early Christian Art. Egypt. Clay jar (AMPULLAE) with Saint

Early Christian Art. Egypt. Clay jar (AMPULLAE) representing Saint Mena flanked by two camels. Dated in the seventh century. It comes from the sanctuary of Saint Mena in Egypt. Byzantine Museum. Athens. Greece

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14314542

© Thaliastock / Mary Evans

After Camel Camels Catholicism Christ Christians Civilization Handle Martyr Martyrdom Mena Recipient Relic Seventh Symbols Ampullae Viith


14"x11" (28x35cm) Metal Print

Discover the rich history of Early Christian Art with our stunning Metal Prints featuring this rare and intriguing clay jar (AMPULLAE) from the Byzantine Museum in Egypt. Dated back to the seventh century, this ancient artifact represents Saint Mena, flanked by two camels, and is an exquisite example of the unique artistic style from this era. This high-quality Metal Print, sourced from Mary Evans Prints Online, adds a touch of history and culture to any space, making it a perfect addition to your home or office decor. With its vibrant colors and exceptional detail, this Early Christian Art piece is sure to be a conversation starter and a cherished addition to your collection.

Our Metal Prints feature rounded corners and rear fixings for easy wall mounting. Images are directly printed onto a lightweight, high quality 5mm thick, durable metallic surface for a vivid and vibrant finish. Available in 2 sizes, 28x35cm (14x11) and 50x40cm (20x16). The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 27.9cm x 35.5cm (11" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Egypt > Egypt Heritage Sites > Abu Mena

> Africa > Egypt > Related Images

> Animals > Mammals > Camel

> Europe > Greece > Athens

> Europe > Greece > Posters

> Europe > Greece > Related Images

> Europe > Related Images

> Historic > Ancient civilizations > Ancient Egypt

> Historic > Ancient civilizations > Ancient Greece

> Historic > Ancient civilizations


EDITORS COMMENTS
1. Title: "A Symbol of Faith: Saint Mena and the Camels - Seventh Century Egyptian Ampulla" This image showcases an ancient clay jar, or ampulla, from the early Christian era, dating back to the seventh century. Discovered at the sanctuary of Saint Mena in Egypt, this remarkable artifact is now housed in the Byzantine Museum in Athens, Greece. The ampulla, intricately decorated with relief carvings, represents Saint Mena, an early Christian martyr, flanked by two camels. Saint Mena, a revered figure in both the Coptic and Catholic traditions, is believed to have lived during the third century and was known for his devotion to Christianity in a time when it was not yet the dominant religion in Egypt. The camels, significant animals in the ancient Egyptian civilization, are often associated with the desert and long journeys. In this context, they symbolize Saint Mena's travels and the spread of Christianity throughout Egypt and beyond. The ampulla's handle, shaped like a cross, serves as a reminder of the central tenet of Christianity. The decorative relief also includes symbols of the saint's martyrdom, such as a palm leaf, signifying his victory over death. This ancient artifact, a testament to the rich history of early Christian civilization, offers a glimpse into the artistic and religious expressions of the time. Its intricate design and historical significance make it a valuable addition to the Byzantine Museum's collection and an enduring symbol of the intersection of art, religion, and history.

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