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Metal Print : Father Nicholas of Tirana accused of eating his wife
Metal Prints from Mary Evans Picture Library
Father Nicholas of Tirana accused of eating his wife
Story in The Graphic in January 1928 alleging that Father Nicholas, a Greek Orthodox priest from Tirana was being tried for pickling and eating his wife after she had broken her neck falling downstairs. The story turned out to be completely fabricated and the magazine issued an apology in a later issue (see picture number).
1928
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23067954
© Illustrated London News Ltd/Mary Evans
Cannibal Cannibalism Eating Fake Graphic Journalism News Nicholas Orthodox Pickling Press Priest Scandalous Stories Tirana Salacious Untrue
14"x11" (28x35cm) Metal Print
Step into the intriguing world of historical mysteries with our exclusive Media Storehouse Metal Print featuring the sensational illustration of Father Nicholas of Tirana from The Graphic, published by Illustrated London News Ltd/Mary Evans through Mary Evans Prints Online in January 1928. This captivating image, which originally appeared in The Graphic, alleges that the Greek Orthodox priest from Tirana was being tried for pickling his wife. Add an air of intrigue and conversation to any room with this beautifully printed and vibrant metal art piece. Each Metal Print is meticulously crafted using high-quality materials and state-of-the-art printing techniques to ensure a stunning, long-lasting display. Order yours today and bring a piece of history into your home.
Our Metal Prints feature rounded corners and rear fixings for easy wall mounting. Images are directly printed onto a lightweight, high quality 5mm thick, durable metallic surface for a vivid and vibrant finish. Available in 2 sizes, 28x35cm (14x11) and 50x40cm (20x16). The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 27.9cm x 35.5cm (11" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In the turbulent world of journalism during the 1920s, sensationalism and scandalous stories often grabbed headlines, captivating the public's imagination. One such tale, published in The Graphic magazine in January 1928, accused Father Nicholas, a Greek Orthodox priest from Tirana, of an unthinkable crime: pickling and eating his wife after she had broken her neck falling downstairs. The image of Father Nicholas, with a sinister expression and a knife and pickling jar in hand, accompanied the article, fueling the salacious rumors. The story spread like wildfire, causing an uproar among the public and bringing shame upon the name of the Greek Orthodox Church. However, the sensational tale was nothing more than a fabrication, a product of the sensationalist press. The Graphic later issued an apology in a subsequent issue, acknowledging the error and expressing regret for the harm caused to Father Nicholas' reputation. The incident serves as a reminder of the power of the press and the importance of fact-checking and journalistic integrity. In an era where scandalous stories were often prioritized over truth, it is a sobering reminder of the potential consequences of sensationalism and the importance of responsible journalism. Despite the apology, the damage had been done, and the image of Father Nicholas as a cannibalistic priest lingered in the public consciousness. The incident remains a fascinating chapter in the history of journalism and the power of the press to shape public opinion, for better or for worse. This photograph, taken from the archives of Mary Evans Prints Online, is a poignant reminder of the importance of factual accuracy and the potential consequences of sensationalist reporting. It is a testament to the enduring power of the press and the impact of unfounded rumors on individuals and communities.
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