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Metal Print : Illuminated calendar for March 1846

Illuminated calendar for March 1846



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Illuminated calendar for March 1846

Calendar for March with figures of Elias and St. James the Greater, quote from Corinthians, disciples, lamb, castles, birds and foliage. From an illuminated Book of Hours of the Duke the Anjou. 1380. Chromolithograph in colors and gilt from Henry Noel Humphreys The Illuminated Calendar and Home Diary for 1846, Longmon, London, 1846

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23386528

© Florilegius

1846 Anjou Bibliotheque Bull Calendar Diary Disciples Evangelist Foliage Gilt Hours Humphreys Illuminated Illumination Latin Manuscript Noel Quote Zechariah


10"x8" (25x20cm) Table Top Metal Print

Step back in time with our exquisite Metal Prints from Media Storehouse, featuring this stunning illuminated calendar from the Mary Evans Picture Library. Dating back to 1380, this captivating image brings to life the beauty and intricacy of medieval art. Depicting figures of Elias and St. James the Greater, a quote from Corinthians, and vibrant illustrations of disciples, a lamb, castles, birds, and foliage, this illuminated Book of Hours from the Duke the Anjou is a testament to the artistic mastery of the past. Elevate your home decor with this unique and enchanting Metal Print, a timeless addition to any space.

Table Top Metal Prints feature rounded corners and an easel back for easy display. Available in two sizes, 18x13cm (7x5) or 25x20cm (10x8). Lightweight and vibrant, they are perfect for displaying artwork and are guaranteed to add style to any desk or table top. The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Mary Evans Prints Online > New Images August 2021

> Arts > Art Movements > Medieval Art

> Arts > Artists > B > John Bird

> Europe > United Kingdom > England > Greater London > Related Images

> Europe > United Kingdom > England > London > Royalty


EDITORS COMMENTS
This exquisite illuminated calendar print for March 1846, taken from Henry Noel Humphreys' "The Illuminated Calendar and Home Diary for 1846," showcases a stunning fusion of medieval and Victorian art. The illustration depicts the figures of Elias (Elijah) and St. James the Greater, flanking the month of March. Above them, a quote from the New Testament's Galatians reads, "But the fruit of the Spirit is love, joy, peace, longsuffering, gentleness, goodness, faith, Meekness, temperance: against such there is no law." Surrounding the figures and quote are intricate scenes of the disciples, a lamb, and a castle. In one corner, St. John the Evangelist is depicted with an eagle, symbolizing his gospel. A bull, representing the zodiac sign for Taurus, is also present. The illustration is further adorned with lively birds and vibrant foliage, adding to the overall beauty and richness of the design. This print is a chromolithograph, a technique that involves using multiple lithographic stones, each coated with a different color, to create a multicolored image. The intricate details are further enhanced by the application of gilt, or gold leaf, adding a touch of luxury and elegance. The design is inspired by the illuminated manuscripts of the Middle Ages, specifically the "Book of Hours of the Duke the Anjou," which is now housed in the Bibliothèque Royale in Paris. The intricate illuminations in these manuscripts were created by skilled artists and scribes, using precious materials such as gold and pigments made from minerals and plants. This calendar print is a beautiful reminder of the rich artistic traditions of the past and the enduring appeal of the illuminated manuscript.

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