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Metal Print : Uganda, The Black Baby

Uganda, The Black Baby



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Uganda, The Black Baby

Uganda portrayed as a baby on John Bulls doorstep. Date: 1894

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14350354

© Mary Evans Picture Library

1894 Bull Colonialism Imperialism Relations Uganda Dependence


10"x8" (25x20cm) Table Top Metal Print

Experience the captivating history of Uganda brought to life with our Media Storehouse Metal Prints. This exquisite design features the iconic image of "Uganda, The Black Baby by Rights Managed from Mary Evans Prints Online," where Uganda is depicted as a baby on John Bull's doorstep, symbolizing the British colonial era. Our high-quality Metal Prints showcase vibrant colors and exceptional detail, ensuring your chosen image becomes a stunning centerpiece in any room. Embrace the rich history and intrigue of this captivating image with a Metal Print from Media Storehouse.

Table Top Metal Prints feature rounded corners and an easel back for easy display. Available in two sizes, 18x13cm (7x5) or 25x20cm (10x8). Lightweight and vibrant, they are perfect for displaying artwork and are guaranteed to add style to any desk or table top. The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
This thought-provoking image, titled "Uganda, The Black Baby," dates back to 1894 and is a poignant political cartoon that reflects the complexities of colonialism and imperialism during the height of European expansion in Africa. The illustration, created by an unknown artist, depicts the African country of Uganda as a small, helpless black baby, standing at the doorstep of John Bull, a symbol of Britain and its colonial power. The image conveys the idea of Uganda's dependence on Britain for protection and guidance, as the baby clings to John Bull's leg with one hand, while reaching out for a bottle labeled "Civilization" with the other. The baby's vulnerability and innocence are emphasized by its bare feet and diaper, further highlighting the power dynamic between the colonizer and the colonized. The political message of this cartoon is multifaceted. On one hand, it reflects the paternalistic attitude of European powers towards their African colonies, portraying themselves as benevolent caretakers. On the other hand, it underscores the exploitative nature of colonialism, with the bottle labeled "Civilization" representing the material benefits that Europeans gained from their African possessions. The image of Uganda as a baby also raises questions about the legitimacy of European claims to African lands and the moral implications of imposing Western values and structures on indigenous cultures. Overall, "Uganda, The Black Baby" is a powerful reminder of the complex and often problematic relationship between Europe and Africa during the era of colonialism and imperialism.

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