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Metal Print : Wild rose botanical study
Metal Prints From Mary Evans Picture Library
Wild rose botanical study
Wild rose botanical study.. Lithograph with pochoir (stencil) handcoloring from Eugene Grassets Plants and their Application to Ornament, Paris, 1897
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14211700
© Florilegius / Mary Evans
Andtheirapplicationtoornament Artnouveau Eugenegrasset Handcoloring Pochoir Stencil
14"x11" (28x35cm) Metal Print
Bring the enchanting beauty of nature into your home with Media Storehouse's Metal Prints featuring the exquisite Wild Rose Botanical Study by Eugène Grasset. This stunning lithograph, originally hand-colored with pochoir (stencil) techniques, is taken from Grasset's Plants and their Application to Ornament, published in Paris in 1897. Each Metal Print is meticulously crafted using high-quality materials and state-of-the-art printing processes to ensure vibrant colors and exceptional detail. The result is a captivating piece of art that adds a touch of elegance and sophistication to any room. Order yours today and let the wild roses bloom in your space.
Our Metal Prints feature rounded corners and rear fixings for easy wall mounting. Images are directly printed onto a lightweight, high quality 5mm thick, durable metallic surface for a vivid and vibrant finish. Available in 2 sizes, 28x35cm (14x11) and 50x40cm (20x16). The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 27.9cm x 35.5cm (11" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This stunning wild rose botanical study is an exquisite example of the Art Nouveau design aesthetic, showcasing the intricate details of the wild rose (Rosa gallica) through the masterful techniques of lithography and pochoir handcoloring. Created by renowned French botanical artist Eugène Grasset for his publication "Plants and Their Application to Ornament," published in Paris in 1897, this work of art is a testament to the beauty and complexity of the natural world. Lithography, a printing process that uses a flat limestone or metal plate, allowed Grasset to capture the delicate contours and textures of the wild rose with remarkable precision. The addition of pochoir handcoloring, which involves applying color through stencils, brought an extra dimension of vibrancy and depth to the image. The result is a captivating representation of the wild rose, with each petal, thorn, and vein rendered in exquisite detail. The Art Nouveau movement, which emerged in the late 19th century, was characterized by its organic and sinuous forms, often inspired by nature. Grasset's wild rose study embodies this style, with its flowing lines and delicate curves. The intricate patterns and shapes of the rose petals and leaves are reminiscent of the decorative motifs that were popular during this period, making this botanical study not only a work of art but also an important historical artifact. Today, this wild rose botanical study continues to inspire artists, designers, and nature enthusiasts with its intricate beauty and historical significance. It serves as a reminder of the rich artistic traditions of the past and the enduring allure of the natural world.
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