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Metal Print : deo1945 bw neg 012
Metal Prints from STUDIOCANAL
deo1945 bw neg 012
STUDIOCANAL Film and Theatre Film Posters and Stills
Media ID 19957330
© Studiocanal Films Ltd
10"x8" (25x20cm) Table Top Metal Print
Table Top Metal Prints feature rounded corners and an easel back for easy display. Available in two sizes, 18x13cm (7x5) or 25x20cm (10x8). Lightweight and vibrant, they are perfect for displaying artwork and are guaranteed to add style to any desk or table top. The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 25.4cm x 20.3cm (10" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Arts
> Television
VISUAL DESCRIPTION
A black and white image depicting a tense interrogation scene. Three men are present in what appears to be a dimly lit, sparsely furnished room that suggests an institutional setting, possibly a police station or military office. On the left side of the table sits an authoritative figure wearing glasses and a heavy coat; he is facing another man seated across from him who looks somewhat uneasy. The interrogator has his hands clasped together on top of some documents, indicating that he may be in charge of the questioning. Beside him stands another stern-looking man with his arms folded, observing the interaction closely. The focus of their attention is on the younger man sitting opposite them at the table. He wears a simple button-up shirt and vest, suggesting modesty or perhaps lower social status compared to his questioners. His hat rests on the table next to what seems like an old-fashioned telephone, further establishing the historical context of this scene. Intriguingly, behind these characters is a television screen showing yet another person—a uniformed officer—implying either surveillance or remote testimony being involved in this scenario. The lighting emphasizes drama and tension: A single overhead lamp casts stark shadows across their faces while also highlighting their expressions—concentration and authority from one side versus concern or resignation from the other. Overall, this staged photograph captures elements common to classic film noir: high contrast lighting, intense character interactions within institutional power dynamics, all wrapped up in an air of mystery and psychological pressure.
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