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Mouse Mat : Olive Sloane, Diana Dors, and Alan Sedgwick in Maurice Elveys My Wifes Lodger (1952)
Home Decor from British Film Institute
Olive Sloane, Diana Dors, and Alan Sedgwick in Maurice Elveys My Wifes Lodger (1952)
Olive Sloane, Diana Dors, and Alan Sedgwick in My Wifes Lodger (1952)
The British Film Institute (BFI) are UK's lead organisation for film, television and the moving image
Media ID 1582985
© Adelphi Films - All Rights Reserved
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 24.2cm x 19.7cm (9.5" x 7.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this print from the British Film Institute, we are transported back to 1952, a time when Maurice Elvey's film "My Wife's Lodger" graced the silver screen. The image features three remarkable individuals who brought their unique talents to this cinematic gem: Olive Sloane, Diana Dors, and Alan Sedgwick. At the forefront stands Olive Sloane, her radiant smile capturing our attention. With an air of elegance and grace, she exudes confidence in her role within the film. Beside her is Diana Dors, a true icon of British cinema known for her beauty and magnetic presence on screen. Despite being deaf herself, Dors showcases her incredible acting prowess alongside Sloane. Completing this trio is Alan Sedgwick; his inclusion adds depth to the narrative as he portrays a character with hearing impairment. This detail serves as a testament to the inclusivity that filmmakers like Elvey aimed for even during those times. The photograph not only captures these talented actors but also hints at the larger themes explored in "My Wife's Lodger". It reminds us of how films have always been powerful tools for storytelling while shedding light on societal issues such as disability representation. This print serves as a timeless reminder of the rich history of British cinema and its commitment to showcasing diverse stories through exceptional talent like Olive Sloane, Diana Dors, and Alan Sedgwick.
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