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Mouse Mat : Poster for Michael Powells Blackout (1940)
Home Decor from British Film Institute
Poster for Michael Powells Blackout (1940)
AKA BLACKOUT
Conrad Veidt
Valerie Hobson
John Corfield
The British Film Institute (BFI) are UK's lead organisation for film, television and the moving image
Media ID 4172335
© This image is out of copyright
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 16.7cm x 24.2cm (6.6" x 9.5")
Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Poster for Michael Powell's Blackout (1940) captures the essence of wartime suspense and intrigue. The striking design, with its bold typography and contrasting colors, immediately draws the viewer's attention. Conrad Veidt, Valerie Hobson, and John Corfield are prominently featured in this image that perfectly encapsulates the film's gripping narrative. Set against a backdrop of London during the Blitz, Blackout tells a tale of espionage and danger where trust becomes an elusive concept. Veidt's enigmatic presence exudes mystery while Hobson adds a touch of elegance to the composition. Their characters' intertwined destinies unfold amidst chaos as they navigate through treacherous streets shrouded in darkness. The poster effectively conveys both fear and resilience through its clever use of light and shadow. It serves as a visual reminder of Britain's indomitable spirit during one of its darkest periods in history. This iconic print from British Film Institute not only pays homage to Powell's masterful direction but also stands as a testament to the power of cinema in capturing human emotions. As we gaze upon this vintage artwork today, it transports us back to an era when films served as both entertainment and propaganda tools – reminding us how art can reflect societal struggles while offering solace amidst adversity.
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