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Mouse Mat : Joseph Chamberlain (colour litho)
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Joseph Chamberlain (colour litho)
613208 Joseph Chamberlain (colour litho) by Ward, Leslie Matthew (Spy) (1851-1922); Private Collection; (add.info.: Joseph Chamberlain, The Colonies, 7 March 1901, Vanity Fair cartoon); Look and Learn / Peter Jackson Collection
Media ID 22413966
© Look and Learn / Peter Jackson Collection / Bridgeman Images
Colonies Joseph Chamberlain Vanity Fair
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a vibrant and satirical caricature of Joseph Chamberlain, created by the talented artist Leslie Matthew Ward, also known as Spy. The image captures Chamberlain in all his glory, with colorful lithography bringing out the nuances of his character. The cartoon was originally published in Vanity Fair on 7th March 1901, during a time when political satire reigned supreme. In this scathing satire, Chamberlain is depicted as "The Colonies" highlighting his significant role in British colonial affairs at the time. Ward's artistic prowess shines through as he masterfully exaggerates Chamberlain's features to create an instantly recognizable and humorous portrayal. The attention to detail is remarkable, from the intricate lines that define his face to the carefully chosen colors that add depth and dimension to the image. This satirical drawing not only provides entertainment but also serves as a historical artifact capturing an important moment in political history. It offers viewers a glimpse into the world of early 20th-century politics and highlights how public figures were often subject to scrutiny and ridicule through cartoons like these. As we gaze upon this intriguing artwork, we are reminded of both its artistic value and its significance within its historical context. This print allows us to appreciate Ward's talent while offering insight into one man's impact on British colonialism during a pivotal period in history.
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