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Mouse Mat : The Crucifixion and the Lamentation (tempera on gilded panel)
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The Crucifixion and the Lamentation (tempera on gilded panel)
BAG12159 The Crucifixion and the Lamentation (tempera on gilded panel) by Gaddi, Taddeo (c.1300-66); 52.4x27 cm; Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Purchased with the assistance of the Victoria & Albert Museum Purchase Grant Fund, 1959.; Italian, out of copyright
Media ID 23835962
© Bristol Museums, Galleries & Archives Purchased with the assistance of the Victoria & Albert Museum Purchase Grant Fund, 1959. / Bridgeman Images
Corpse Deposition Mary Magdalene
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases "The Crucifixion and the Lamentation" a stunning masterpiece created by Taddeo Gaddi in the 14th century. Painted using tempera on gilded panel, this artwork measures 52.4x27 cm and is currently housed at the Bristol Museum and Art Gallery in the UK. The painting depicts two significant moments from Christian tradition: the crucifixion of Jesus Christ and his subsequent lamentation. The artist's meticulous attention to detail is evident in every brushstroke, as he skillfully captures the raw emotion and profound sorrow surrounding these events. In this composition, we witness Mary Magdalene grieving over Jesus' lifeless body while Virgin Mary, known as Madonna, stands nearby with a heart full of anguish. The depiction of their despair is both poignant and powerful, evoking empathy from viewers across centuries. Gaddi's use of gold leaf accents adds an ethereal quality to the scene, enhancing its spiritual significance. The juxtaposition of light against darkness further emphasizes the contrast between hopelessness and divine redemption. This particular print was acquired by Bristol Museum and Art Gallery with support from the Victoria & Albert Museum Purchase Grant Fund in 1959. It serves as a testament to Gaddi's artistic prowess and continues to inspire audiences today with its timeless portrayal of faith, sacrifice, and human vulnerability.
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