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Mouse Mat : Amada, 7: 10 am, 12 February 1867, 1867 (pen and brown ink with w / c over graphite)

Amada, 7: 10 am, 12 February 1867, 1867 (pen and brown ink with w  /  c over graphite)



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Amada, 7: 10 am, 12 February 1867, 1867 (pen and brown ink with w / c over graphite)

XYC306199 Amada, 7:10 am, 12 February 1867, 1867 (pen and brown ink with w/c over graphite) by Lear, Edward (1812-88); 9x17.5 cm; Yale Center for British Art, Gift of Donald Gallup, USA; (add.info.: 420 reference given; ); English, out of copyright

Media ID 12841068

© www.bridgemanart.com

Bleak Dawn Desert Egyptian Landscape Lake Nasser Nubia Sunrise


Mouse Pad

Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 24.2cm x 19.7cm (9.5" x 7.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


Amada, 7:10 am, 12 February 1867

EDITORS COMMENTS
captures the ethereal beauty of an Egyptian landscape at dawn. In this exquisite pen and brown ink print with watercolor over graphite by Edward Lear, we are transported to a time long gone. The artwork measures 9x17.5 cm and is housed in the prestigious Yale Center for British Art. The scene depicted is one of desolate grandeur. A Nubian temple stands proudly amidst the ruins, its stone masonry weathered by centuries of history. The shoreline of Lake Nasser stretches out before us, reflecting the soft hues of a rising sun. Lear's skillful sketching brings life to every detail - from the intricate architecture to the vastness of the desert beyond. As we gaze upon this mesmerizing composition, we can almost feel the stillness and serenity that envelops Amada at daybreak. It is as if time itself has paused to witness this majestic moment unfold. This artwork serves as a testament to Lear's talent as both an artist and a chronicler of landscapes. Through his delicate strokes and subtle use of watercolor, he transports us back in time to experience Egypt's ancient allure firsthand. Thanks to Donald Gallup's generous gift, this remarkable piece now resides within Yale's collection for all art enthusiasts to appreciate and admire. Let "Amada, 7:10 am, 12 February 1867" be a reminder that even in ruins lie stories waiting patiently to

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