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Mouse Mat : The Coronation of the Virgin, completed 1454 (oil on panel) (detail of 57626)
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The Coronation of the Virgin, completed 1454 (oil on panel) (detail of 57626)
XIR309504 The Coronation of the Virgin, completed 1454 (oil on panel) (detail of 57626) by Quarton, Enguerrand (c.1410-66); Musee Pierre de Luxembourg, Villeneuve-les-Avignon, France; (add.info.: Dominus Jean de Montagnac (donor); Couronnement de la Vierge; painted for the Chartreuse de Villeneuve-les-Avignon; ); French, out of copyright
Media ID 12844355
© www.bridgemanimages.com
Bishop Crucifixion Donors Earth God The Father Heaven Heavenly Host Holy Spirit Holy Trinity White Dove Worshippers Worshipping
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 24.2cm x 19.7cm (9.5" x 7.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures a mesmerizing detail of "The Coronation of the Virgin" a masterpiece completed in 1454 by Enguerrand Quarton. The original oil painting, housed at the Musee Pierre de Luxembourg in Villeneuve-les-Avignon, France, is an exquisite representation of religious devotion and celestial beauty. In this particular section of the artwork, angels are seen fervently worshipping and praying to the Virgin Mary. The scene is set amidst billowing clouds, with a striking crucifixion depicted above. A heavenly host surrounds them, while the Holy Spirit manifests as a white dove descending from above. The focal point of this detail lies on Dominus Jean de Montagnac, who appears as a donor within the composition. This suggests that he played an instrumental role in commissioning or funding this remarkable piece for Chartreuse de Villeneuve-les-Avignon. "The Coronation of the Virgin" showcases Quarton's mastery in capturing both earthly and divine elements harmoniously intertwined. It depicts not only religious figures such as God the Father and Jesus Christ but also various members of clergy including priests, bishops, monks, and nuns engaged in worship alongside ordinary worshippers. Through its intricate details and vibrant colors rendered through oil on panel technique, this artwork invites viewers into a realm where heaven meets earth—a testament to faith's power to bridge mortal existence with eternal divinity.
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