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Mouse Mat : Four Captive Demons, 1470-1500 (w / c and gold on silk)
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Four Captive Demons, 1470-1500 (w / c and gold on silk)
3493029 Four Captive Demons, 1470-1500 (w/c and gold on silk) by Persian School, (15th century); 34x20.2 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Possibly by Muhammad Siyah Qalam, who gave his name to the Black Pen Siyah Kalem school of painting, attributed to Iran or Central Asia); Persian, out of copyright
Media ID 23136048
© Bridgeman Images
Crouching Demon Demonic Evil Iran Iranian Mongol Monsters Monstrous Ottoman Persia Silk Silk Road Spirits Taoism Turkestan Turkic Turkistan
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 24.2cm x 19.7cm (9.5" x 7.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases "Four Captive Demons" a remarkable artwork created between 1470 and 1500 by the Persian School. Painted with watercolor and gold on silk, this piece measures 34x20.2 cm and is housed in the prestigious Metropolitan Museum of Art in New York, USA. The origins of this masterpiece are attributed to Muhammad Siyah Qalam, an influential figure associated with the Black Pen Siyah Kalem school of painting in Iran or Central Asia. The intricate details and vibrant colors bring to life four crouching demonic figures that exude both fascination and terror. With its roots deeply embedded in Islamic culture, this artwork reflects the rich history of Persia during the 15th century. It represents a fusion of various influences from Asian, Ottoman, Mongol, Iranian, Turkic, and even Taoist traditions along the Silk Road. Each demon depicted here embodies evil spirits that were believed to exist within different religious beliefs prevalent at that time. This painting serves as a testament to the complex interplay between religion and art during this era. As we gaze upon these monstrous beings captured on silk cloth through centuries-old techniques, we are transported back in time to witness a fascinating period where diverse cultures converged along ancient trade routes. This print allows us to appreciate not only the artistic mastery but also provides insight into historical narratives intertwined with spiritual beliefs across regions like Persia and Turkestan.
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