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Mouse Mat : Death and the Merchant, from The Dance of Death, engraved by Hans Lutzelburger, c
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Death and the Merchant, from The Dance of Death, engraved by Hans Lutzelburger, c
XJF143246 Death and the Merchant, from The Dance of Death, engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; German, out of copyright
Media ID 12725133
© www.bridgemanart.com
Danse Macabre Dragging Goods Package Quay Quayside Trader Unwilling Mortality
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Death and the Merchant - A Haunting Encounter on the Quayside
EDITORS COMMENTS
. In this photo print, we are transported back to the 16th century, where artist Hans Lutzelburger brings to life a chilling scene from "The Dance of Death". Inspired by Holbein the Younger's original woodcut, this engraving depicts a fateful encounter between Death and a merchant. Set against the backdrop of a bustling port, we witness an unwilling merchant being dragged towards his inevitable fate by a skeletal figure. The symbolism is clear - no matter one's wealth or status in society, death comes for all. This macabre dance serves as a reminder of our mortality and the transient nature of material possessions. The composition is masterfully executed, with intricate details capturing both the fear in the merchant's eyes and the relentless determination in Death's bony grip. The package at their feet symbolizes not only trade but also represents all worldly goods that hold little value when faced with mortality. As we gaze upon this thought-provoking image, it prompts us to reflect on our own lives. What legacy will we leave behind? How do we prioritize our time amidst worldly pursuits? Through its powerful imagery, "Death and the Merchant" invites us to contemplate these existential questions while marveling at Lutzelburger's skillful interpretation of Holbein's original work.
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