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Mouse Mat : The Temptation, c. 1597 (pen, ink & wash on paper)

The Temptation, c. 1597 (pen, ink & wash on paper)



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The Temptation, c. 1597 (pen, ink & wash on paper)

XJF472200 The Temptation, c.1597 (pen, ink & wash on paper) by Goltzius, Hendrik (1558-1617); Private Collection; (add.info.: Adam and Eve seated under the Tree of Knowledge); Dutch, out of copyright

Media ID 12809607

© www.bridgemanart.com

1597 Adam Apple Demon Devil Eden Fall Forbidden Goat Northern Original Paradise Puppy Satan Temptation Tempting Serpent


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Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


The Temptation, c. 1597

EDITORS COMMENTS
is a captivating print by Hendrik Goltzius that captures the iconic biblical scene of Adam and Eve seated under the Tree of Knowledge in the Garden of Eden. This exquisite pen, ink, and wash on paper artwork showcases Goltzius' mastery in capturing intricate details and emotions. The composition is filled with symbolism as it portrays the moment when temptation takes hold. The forbidden fruit dangles tantalizingly from a branch while various animals surround Adam and Eve, representing their innocence before succumbing to sin. A mountain goat gazes curiously, a ram stands proudly, a cat prowls stealthily, and an adorable puppy playfully interacts with them. However, lurking amidst this idyllic setting is the serpent embodying Satan's deceitful presence. With its slithering body coiled around one of Adam's legs while whispering into his ear, it symbolizes the allure of temptation leading to mankind's fall from grace. Goltzius skillfully depicts human expressions through detailed facial features conveying both curiosity and vulnerability. The viewer can almost feel the weighty decision that hangs in balance as Adam contemplates taking a bite from the forbidden fruit. This Northern Renaissance masterpiece not only serves as a visual representation of original sin but also highlights Goltzius' technical prowess in creating evocative imagery that continues to captivate audiences centuries later.

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Hendrik Goltzius (Dutch, 1558 - 1617), Head of a Siren, 1609, black chalk with white

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