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Mouse Mat : Malvolio before Olivia, from Twelfth Night by William Shakespeare (1564-1616) 1789

Malvolio before Olivia, from Twelfth Night by William Shakespeare (1564-1616) 1789



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Malvolio before Olivia, from Twelfth Night by William Shakespeare (1564-1616) 1789

XYC183013 Malvolio before Olivia, from Twelfth Night by William Shakespeare (1564-1616) 1789 (oil on canvas) by Ramberg, Johann Heinrich (1763-1840); 157.8x220.7 cm; Yale Center for British Art, Paul Mellon Fund, USA; Austrian, out of copyright

Media ID 12747953

© www.bridgemanart.com

Act Iii Comedy Countess Giggling Monkey Obsequious Scene Iv Shakespearean


Mouse Pad

Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 24.2cm x 19.7cm (9.5" x 7.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
The captivating painting "Malvolio before Olivia" transports us to the enchanting world of William Shakespeare's Twelfth Night. Created by Johann Heinrich Ramberg in 1789, this oil on canvas print captures a pivotal moment from Act III, Scene IV of the play. In this scene, Malvolio, the obsequious steward to Countess Olivia, finds himself unwittingly caught up in a hilarious web of mistaken identities and romantic entanglements. As he stands before Olivia with an air of self-importance and seriousness, his character is brilliantly brought to life through Ramberg's masterful brushstrokes. The composition exudes a sense of tension and anticipation as we witness Malvolio's encounter with his beloved mistress. The rich colors and intricate details draw our attention to every aspect of the scene - from Olivia's elegant attire to Malvolio's exaggerated gestures. One cannot help but notice the mischievous presence of a monkey perched on a nearby chair, adding an element of whimsy and laughter to the overall ambiance. Its giggling seems almost contagious as it reflects the absurdity unfolding within this comedic masterpiece. This remarkable piece is housed at Yale Center for British Art thanks to Paul Mellon Fund. It serves as a testament not only to Ramberg's artistic prowess but also Shakespeare’s enduring legacy. Through this artwork, we are reminded that even centuries later, Twelfth Night continues to captivate audiences with its timeless humor and exploration of human folly.

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