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Pandemonium, 1841 (oil on canvas)
XOS828634 Pandemonium, 1841 (oil on canvas) by Martin, John (1789-1854); Louvre, Paris, France; (add.info.: Pandemonium is the capital of Hell in the epic poem Paradise Lost by the 17th century English poet John Milton.); English, out of copyright
Media ID 12938373
© www.bridgemanart.com
Hell John Milton Lava Pandemonium Paradise Lost Volcanic
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 24.2cm x 19.7cm (9.5" x 7.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The captivating painting "Pandemonium, 1841" by John Martin takes us on a journey to the depths of Hell as described in John Milton's epic poem Paradise Lost. This oil on canvas masterpiece, displayed at the Louvre in Paris, France, brings to life the chaotic and fiery capital city of Hell known as Pandemonium. In this dramatic scene, we witness a male soldier or warrior standing amidst the raging inferno. His shield held high, he bravely faces the overwhelming chaos surrounding him. The architecture of Pandemonium is awe-inspiring with its towering structures engulfed in flames and lava flowing through its streets. Martin's skillful use of red hues intensifies the feeling of heat and destruction that permeates every inch of this artwork. The artist's attention to detail is evident in his intricate illustration of each element within this nightmarish landscape. "Pandemonium, 1841" serves as a visual representation of Milton's vivid description from Paradise Lost. It transports viewers into an otherworldly realm filled with turmoil and despair. As we gaze upon this print, we are reminded not only of Milton's literary genius but also Martin's ability to bring words to life through his brushstrokes. This powerful image captures both the terror and fascination associated with depictions of Hell throughout history. It stands as a testament to human imagination and our eternal quest for understanding life beyond our mortal existence.
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