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Discovery of east window of All Saints behind High Street (after the fire
2831847 Discovery of east window of All Saints behind High Street (after the fire) (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; British, out of copyright
Media ID 23473638
© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images
All Saints Bristol East Ecclesiastical
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Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "Discovery of East Window of All Saints behind High Street (after the fire)" by Hugh O'Neill takes us back in time to witness a remarkable moment in history. The image showcases the resilience and beauty found within the city of Bristol, UK. The devastating fire that once ravaged this medieval church did not extinguish its spirit. In fact, it led to an extraordinary revelation - the unearthing of the hidden gem, the east window of All Saints. This discovery is a testament to both human determination and architectural marvels. As we gaze upon this artwork, our eyes are drawn to the intricate details meticulously captured by O'Neill's pencil and watercolor strokes. The gothic architecture stands tall against a backdrop of urban streets, reminding us of England's rich heritage. The painting transports us into another era, allowing us to imagine what life was like during those times. It serves as a reminder that even amidst destruction and chaos, there is always hope for restoration and renewal. Thanks to William Jerdone Braikenridge's generous bequest in 1908, this masterpiece now resides at Bristol Museum and Art Gallery where it can be admired by all who visit. Its presence serves as a symbol of strength and faith for generations to come. In capturing this significant moment through his artistry, O'Neill has immortalized not only the physical structure but also the indomitable spirit that lies within every community facing adversity.
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